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This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker...
Contributes to a neglected topic in Irish literary and cultural history--the modes of protest and cultural forms available to the subaltern classes under landlordism. Using the economic writings of figures like John Stuart Mill and George Campbell and such literary works as Emily Lawless's 'Hurrish, ' Heather Laird shows that the so-called unwritten "agrarian code" of popular justice, though often depicted as anarchic and pathological, was pro-social as opposed to anti-social, emanating from an alternative moral code whose very existence undermined the legitimacy of the colonial civil law. The book explores this clash of legal systems and the resulting crisis in law administration.--From publisher's description.
This book, written during Ireland's decade of centenaries, draws on the aims of the Síreacht series to re-imagine commemoration. A commemoration process that is shaped by a desire to re-invigorate the social imagination and encourage speculation on alternatives to current orthodoxies considers not only what happened in the past, but what else might conceivably have happened. By acknowledging the existence of historical alternatives at a given moment in time, we can access that moment's contingencies. These unrealised yet fully realisable past futures are especially numerous during periods of potent possibility; points in time when the future seems particularly open to being shaped by those ...
Paul Kirby and Adriana Kelder have spent their lives in the theatre. In the late sixties, the couple who would later be called the Bonnie and Clyde of Canadian theater, helped run an alternative newspaper in Montreal. Charges of obscenity and sedition lead to their going on the lam and becoming the only known Canadian fugitives to flee to the U.S. during the Vietnam War. In the 70's, they helped found a theatre company known as The Caravan. Clydesdales provided the locomotion, and the wagons provided the shelter. They'd set up their tents and share original, environmentally themed theatre with the people along the way. They plodded along for 23 years. Then they decided to build a boat. It took four years. They lived in the boatyard, put the horses out to pasture, and became shipwrights with a desire to be sailors. Now it's time to take the show out on the seas.
Law and Literature: The Irish Case is a collection of fascinating essays by literary and legal scholars which explore the intersections between law and literature in Ireland from the eighteenth century to the present day. Sharing a concern for the cultural life of law and the legal life of culture, the contributors shine a light on the ways in which the legal and the literary have spoken to each other, of each other, and, at times, for each other, on the island of Ireland in the last three centuries. Several of the chapters discuss how texts and writers have found their ways into the law’s chambers and contributed to the development of jurisprudence. The essays in the collection also reveal the juridical and jurisprudential forces that have shaped the production and reception of Irish literary culture, revealing the law’s popular reception and its extra-legal afterlives. List of contributors: Rebecca Anne Barr, Max Barrett, Noreen Doody, Katherine Ebury, Adam Gearey, Tom Hickey, James Kelly, Colum Kenny, David Kenny, Heather Laird, Julie Morrissy, Gearóid O'Flaherty, Virginie Roche-Tiengo, Barry Sheils.
Writing Resistance in Northern Ireland is an examination of feminist republicanism(s) in the north of Ireland between 1975 and 1986. Republican prison protest was rife during this period, and fractures opened up between the feminist and republican movements. Despite their shared objective of self-determination, the two movements did not achieve a natural or total congruence. While it has been argued that there is a disjuncture between feminism and nationalism, this book argues for a new perspective on feminist republicanism(s) in the north and tells the story of a niche collective of republican feminists who came to the fore during the Troubles and sought bodily, political and economic auton...
This groundbreaking book explores the role 19th century Irish Catholic authors played in forging the creation of modern Irish literature. As such it offers a unique tour of Ireland’s literary landscape, from early origins during the Catholic political resurgence of the 1820s to the transformative zenith wrought by James Joyce’s Ulysses in 1922. Emer Nolan observes that contemporary Irish literature is steeped in the ambitions and internal conflicts of a previously captive Irish Catholic culture that came into its own with the narrative art form. He revisits, with keen insights, the prescient and influential songs, poems, and prose of Thomas Moore. He also points out that Moore’s wildly successful work helped create an audience for authors to come, i.e. John and Michael Banim, William Carleton and the popular novelists Gerald Griffin and Charles Kickham. An innovative aspect of this study is the author’s exploration of the relationship between James Joyce and Irish culture and his nineteenth-century Irish Catholic predecessors and their political and national passions. It is, in effect, a telling look at the future history of Irish fiction.
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The period 1913–22 witnessed extraordinary upheaval in Irish society. The Easter Rising of 1916 facilitated the emergence of new revolutionary forces and the eruption of guerrilla warfare. In Galway and elsewhere in the west, the new realities wrought by World War One saw the emergence of a younger generation of impatient revolutionaries. In 1916, Liam Mellows led his Irish Volunteers in a Rising in east Galway and up to 650 rebels took up defensive positions at Moyode Castle. From the western shores of Connemara to market towns such as Athenry, Tuam and Galway, local communities were subject to unprecedented use of terror by the Crown Forces. Meanwhile, conflict over land, an enduring gri...
Do indigenous peoples have an unassailable right to the land they have worked and lived on, or are those rights conferred and protected only when a powerful political authority exists? In the tradition of John Locke and Thomas Hobbes, who vigorously debated the thorny concept of property rights, Sara L. Maurer here looks at the question as it applied to British ideas about Irish nationalism in the nineteenth century. This book connects the Victorian novel’s preoccupation with the landed estate to nineteenth-century debates about property, specifically as it played out in the English occupation of Ireland. Victorian writers were interested in the question of whether the Irish had rights to ...