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Hemispheric Blackness and the Exigencies of Accountability examines the way Afrodescendant and Black communities use the land on which they live, the rule of law, and their bodies to assert their historical, ontological, and physical presence across South, Central, and North America. Their demand for the recognition of ancestral lands, responsive policies, and human rights sheds new light on their permanent yet tenuous presence throughout the region. The authors argue that by deploying a discourse of transcontinental historical continuity, Black communities assert their presence in local, national, and international political spheres. This conceptualization of hemispheric Blackness is the driving force confronting the historical loss, dismissal, and disparagement of Black lives across the Américas. Through twelve case studies that cover a wide range of locations, their work examines contemporary manifestations of sovereignty of Black body and mind, Black-Indigenous nexuses, and national revisions that challenge more than a quincentennial of denial and state unaccountability in the hemisphere.
"Formerly known as the International Citation Manual"--p. xv.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
8 Men and a Duck charts the hilarious and unnerving Pacific voyage as it rolls between waves of high drama and high farce: from the five-day launch off a Chilean beach, to the bungled phone call that triggered a naval rescue alert, to the sad fate of Pedro the duck, to the constant race against the inexorable sinking of the soggy hull. On a fateful South American bus trip, journalist Nick Thorpe overheard some fellow passengers discussing an improbable plan to sail 2,500 miles from northern Chile to Easter Island on the Viracocha—a boat made of reeds. The crew's aim in reviving this pre-Incan boat-building technology was twofold: to reopen the controversial migration theories of Thor Heyer...