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Early Insular Art at the Crossroads
Brings together the latest scholarship on early medieval (AD 400-1100) art from Britain, Ireland and beyond, focusing on stone sculpture and carving.
The Norse Myths that Shape the Way We Think
The heroes and villains of Norse mythology have endured for centuries, infiltrating art, opera, film, television and books, shape-shifting like the trickster Loki to suit the cultures that encountered them. Through careful analysis of the literature and archaeology of the Norse world, Carolyne Larrington takes us deep into the realm described in the Icelandic sagas, from the gloomy halls of Hel to the dazzling heights of Asgard. She expertly examines the myths many modern-day reimaginings, revealing the guises that have been worn by the figures of Norse myth, including Marvels muscled, golden-haired Thor and George R.R Martins White Walkers, who march inexorably southwards, bringing their et...
A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700
This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe from ca.1300-1700.
The Mappae Mundi of Medieval Iceland
Front cover -- Contents -- Illustrations -- Acknowledgements -- Abbreviations -- Introduction -- Chapter 1 The Icelandic Hemispherical World Maps -- Chapter 2 The Icelandic Zonal Map -- Chapter 3 The Two Maps from Viðey -- Chapter 4 Iceland in Europe -- Chapter 5 Forty Icelandic Priests and a Map of the World -- Conclusion -- Map Texts and Translations -- The Icelandic Hemispherical World Maps -- The Icelandic Zonal Map -- The Larger Viðey Map -- The Smaller Viðey Map -- Bibliography -- Index -- Studies in Old Norse Literature.
Illuminating Sanctity
Maria R. Grasso’s monograph on the twelfth-century illustrated vita of Saint Amand, Valenciennes, Bibliothèque municipale MS 500, presents new information regarding its contents. The author’s discovery and analysis of a second almost complete set of preliminary drawings beneath another set of the same drawings demonstrates that important alterations were made prior to the execution of the cycle. Grasso’s discussion includes the probable reason for the change: the isolation of the terminating folio depicting the soul of Amand. This important devotional image is the focus of detailed analysis since the soul of Amand rests in the lap of a male figure she convincingly identifies as Christ, an extremely unusual placement for the soul of a saint, demonstrating the creativity of the artists.
Beds and Chambers in Late Medieval England
First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages. The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less...
Insular Iconographies
Essays on aspects of iconography as manifested in the material culture of medieval England.
The Anglo-Saxon Fenland
Archaeologies and histories of the fens of eastern England, continue to suggest, explicitly or by implication, that the early medieval fenland was dominated by the activities of north-west European colonists in a largely empty landscape. Using existing and new evidence and arguments, this new interdisciplinary history of the Anglo-Saxon fenland offers another interpretation. The fen islands and the silt fens show a degree of occupation unexpected a few decades ago. Dense Romano-British settlement appears to have been followed by consistent early medieval occupation on every island in the peat fens and across the silt fens, despite the impact of climatic change. The inhabitants of the region ...
Animation between Magic, Miracles and Mechanics
When it comes to images, we are all animists. Deep down, we all know that images can – at least potentially – be alive or come to life. Nowadays, we may tend to rationalize our ingrained animism and explain it away as a mere projection only happening in the space between image and viewer. In the Middle Ages, however, imagery made enthusiastic use of magical, miraculous and mechanical means of animation, empowered and ensouled by both natural and supernatural principles of life. This animist book investigates magic, miracles and mechanics as motors of animation and seeks to understand the living image in solidarity with medieval experience rather than dismissive alienation of it. Effigies...
