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Emblems and Impact Volume I
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
The Emblem in Renaissance and Baroque Europe: Tradition and Variety
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
The Mutable Glass
A comprehensive survey of mirror-imagery in English literature from the thirteenth to the end of the seventeenth century.
The European Emblem
Emblems—pictorial designs with accompanying mottoes and epigrams— helped to shape virtually every form of verbal and visual communication in the West during the sixteenth and seventh centuries. A recent re-awakening of scholarly interest in the emblem has brought to light the difficulty of locating and consulting the unorganized mass of available material. Recognizing the need for a large-scale systematic index to the emblem, the editor organized a symposium at McGill University to discuss the possibilities of preparing such an index. The resulting papers by six symposium participants— Barbara Becker-Cantarino, Peter M. Daly, Peter Erb, G. Richard Dimler, Lorelei Robins, and Alan Young—contribute to our knowledge of the emblems of Peacham and Corrozet, the Dutch love emblems, the Jesuit emblem, and emblems used in books of mediation. The essays also discuss the problems and procedures involved in preparing an Index Emblematicus, a work which would serve scholars working in the fields of literature, art, culture, religion, history, and the languages. The volume is richly illustrated with over forty emblem reproductions.
The Petrine Instauration
Drawing on recent scholarship on the history of Western esotericism and religious studies on the importance of millenarian thought in Early Modern Europe, this study provides an innovative re-examination of Peter the Great’s Court in early eighteenth-century Russia.
Scholarly Book Collecting in Restoration Scotland
The wide scholarly interests of Scots in the Restoration period are analysed by Murray Simpson through this in-depth study of the library of James Nairn (1629–1678), a Scottish parish minister. Nairn's collection demonstrates a remarkable receptivity to new intellectual ideas. At some two thousand titles Nairn’s is the biggest library formed in this period for which we have detailed and accurate records. The collection is analysed by subject. In addition, there is a biographical study and chapters investigating aspects of the Scottish book market and comparing other contemporary Scottish clerical libraries. A short-title catalogue of the collection, giving references to relevant online bibliographies and catalogues, a select provenance index and a subject index complete the work.
Studies in the Jesuit Emblem
The Jesuits produced more books on the topic of emblem studies than did any other identifiable group of writers, comprising a vast spectrum of subject matter with a wide diversity of structure and creating an enormous impact on seventeenth- and eighteenth-century culture. In his new book Studies in the Jesuit Emblem, G. Richard Dimler has gathered together selections from his past studies in Jesuit emblems, spanning some 25 years. His revised articles incorporate, among others, a wide array of topics including our state of knowledge of the Jesuit emblem book, Jesuit emblem theory, the genesis and the rise of the Jesuit Emblem, Jesuit reaction to Andrea Alciato, the Imago Primi Saeculi, Edmund Arwaker's translation of the Pia Desideria, as well as some specific Jesuit themes such as the bee-topos and the egg. Also included in the book are hitherto unpublished essays on Herman Hugo, the evolution of an Ignatiam emblem book, and a taxonomical inquiry into the eighteenth century Jesuit emblem.
(Re-)Inventio
Die in der Frühen Neuzeit gängige Praxis der Neuauflage druckgraphischer Einzelblätter und Serien war nicht nur von ökonomischen Interessen der Verleger geleitet, sondern zugleich Ausdruck einer innovativen ästhetischen Auseinandersetzung mit bestehenden Bildfindungen. Das Spektrum dieses produktiven Umgangs mit etablierten Inventionen umfasste unveränderte Wiederauflagen respektive Kopien, aber auch konzeptuelle Überarbeitungen und Ergänzungen sowie programmatische Umkontextualisierungen. Im Anschluss an neuere kunsthistorische Forschungen, die im Akt des zeichnerischen, malerischen oder druckgraphischen Reproduzierens ein signifikantes gestalterisches Potenzial erkannt haben, solle...
