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Goodbye Russia
The moving story of Rachmaninoff's years in exile and the composition of his last great work, set against a cataclysmic backdrop of two world wars and personal tragedy. In 1940, Sergei Rachmaninoff, living in exile in America, broke his creative silence and composed a swan song to his Russian homeland—his iconic “Symphonic Dances.” What happened in those final haunted years and how did he come to write his farewell masterpiece? Rachmaninoff left Petrograd (now St. Petersburg) in 1917 during the throes of the Russian Revolution. He was forty-four years old, at the peak of his powers as composer-conductor-performer, moving in elite Tsarist circles, as well as running the family estate, h...
Acts and Texts
For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the...
Switzerland and the International Protection of Refugees, La Suisse et la protection internationale des refugiés
The present volume highlights the new challenges of the international protection of refugees fifty years after the adoption of the 1951 Geneva Convention relating to the Status of Refugees. Focusing on the problems faced by Switzerland in the field of international protection of refugees as well as on the specificity of its asylum law and practice, this publication addresses the refugee problem from a national, European and international perspective. The Swiss experience serves to illustrate the wider problematic of on the one hand, the tensions between security, political and humanitarian concerns encountered by refugee-receiving states, and on the other, the need to preserve an internation...
Chapel Bridge Gable Painting
„The gable paintings of the world-famous Chapel Bridge in Lucerne are a highly interesting “open” history book. They comprise important events of the history of Lucerne and Switzerland. During the night of August 17, 1993, a devastating fire almost completely destroyed the Chapel Bridge, one of Switzerland’s most famous landmarks and symbol of the city of Lucerne. Of the 111 paintings, which at the time used to adorn the gables of the 14th century wooden bridge, the fire destroyed 86. Among the 76 paintings of the most important series, which is about the history of Lucerne and the Swiss Confederation, three quarters were either severely or completely destroyed. The 76 panels about the first cycle, “Lucerne and the emergent Confederation,” from the replica series by Dr. Jost Schumacher, are displayed in this audio guide. „An interesting feature of the new publications of audio guides is the 24 reproduced photographs of the original paintings, taken shortly before the devastating fire in 1993.“
Representing Justice
A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.
Power and Violence in Medieval and Early Modern Theater
Gewaltdarstellungen im mittelalterlichen Spiel waren schon lange vor dem 'Cultural Turn' ein häufig diskutierter Gegenstand der Theatergeschichte; jetzt werden sie neu bewertet. Auf der Grundlage aktueller sozialgeschichtlicher Untersuchungen werden die Parameter der Theatergeschichte im Zeitraum von 1470–1570 hinterfragt. Als ein wichtiger Schlüssel zum Verständnis der Gewalt im älteren Drama wird das Verhältnis zwischen violentia, vis und potestas, den drei Facetten des Begriffs 'Gewalt', konstatiert. Gewalt tritt hier nicht als isoliertes Phänomen auf, sondern eher als ein (Ausdrucks-)Mittel der Macht. So diskutieren Dramentext und Aufführung die Legitimität von Herrschaftsgewalt.
The Swiss Reformation
In this comprehensive study of the Swiss Reformation, Gordon examines the event in the context of the history of the Swiss Federation. The Reformation is presented as a narrative of events followed by an examination of various key themes surrounding the event.
