Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Repossessing the World
Why does it seem as if everyone is writing memoirs, and particularly women? The current popularity of memoir verifies the common belief that we each have a story to tell. And we do...especially women. Memoirs are not only representations of women’s personal lives but also of their desire to repossess important parts of our culture, in which women’s stories have not mattered. Beginning with her own motivations for writing memoirs, Helen M. Buss examines the many kinds of memoir written by contemporary women: memoirs about growing up, memoirs about traumatic events, about relationships, about work. In writing memoirs, these women publicly assert that their lives have mattered. They reshape...
Boom!
Since the early 1990s, tens of thousands of memoirs by celebrities and unknown people have been published, sold, and read by millions of American readers. The memoir boom, as the explosion of memoirs on the market has come to be called, has been welcomed, vilified, and dismissed in the popular press. But is there really a boom in memoir production in the United States? If so, what is causing it? Are memoirs all written by narcissistic hacks for an unthinking public, or do they indicate a growing need to understand world events through personal experiences? This study seeks to answer these questions by examining memoir as an industrial product like other products, something that publishers an...
Becoming My Mother’s Daughter
Becoming My Mother’s Daughter: A Story of Survival and Renewal tells the story of three generations of a Jewish Hungarian family whose fate has been inextricably bound up with the turbulent history of Europe, from the First World War through the Holocaust and the communist takeover after World War II, to the family’s dramatic escape and emmigration to Canada. The emotional centre and narrative voice of the story belong to Eva, an artist, dreamer, and writer trying to work through her complex and deep relationship with her mother, whose portrait she cannot paint until she completes her journey through memory. The core of the book is Eva’s riveting recollection of the last months of Worl...
The Curtain
Henry Schogt met his wife, Corrie, in 1954 in Amsterdam. Each knew the other had grown up in the Netherlands during World War II, but for years they barely spoke of their experiences. This was true for many people — the memories were just too painful. Years later, Henry and Corrie began to piece their memories together, to untangle reality from dreams. Their intent was to help others understand what had happened then, and how it influenced and affected not only their lives but those of all who survived. The seven stories in The Curtain reveal how two families — one Jewish, one non-Jewish — fared in the Netherlands during the German occupation in World War II. Each vignette highlights a...
I Have a Story to Tell You
I Have a Story to Tell You is about Eastern European Jewish immigrants living in Montreal, Toronto, and Winnipeg in the early twentieth century. The stories encompass their travels and travails on leaving home and their struggles in the sweatshops and factories of the garment industry in Canada. Basing her work on extensive interviews, Seemah Berson recreates these immigrants’ stories about their lives in the Old Country and the hardship of finding work in Canada, and she tells how many of these newcomers ended up in the needle trades. Revealing a fervent sense of socialist ideology acquired in the crucible of the Russian Revolution, the stories tell of the influence of Jewish culture and traditions, of personal–and organized–fights against exploitation, and of struggles to establish unions for better working conditions. This book is a wonderful resource for teachers of Canadian, Jewish, and social history, as well as auto/biography and cultural studies. The simplicity of the language, transcribed from oral reports, makes this work accessible to anyone who enjoys a good story.
Not the Whole Story
Not the Whole Story is a compilation of sixteen stories narrated by single mothers in their own way and about their own lives. Each story is unique, but the same issues appear again and again. Abuse, parenting as single mothers, challenges in the labour market, mental health and addictions issues, a scarcity of quality childcare, immigration and status vulnerability, struggles with custody, and poverty—these factors, combined with a lack of support, contribute to their continued struggles. The themes that recur across stories illustrate that the issues the women face are not just about individual struggle; they demonstrate that major issues in Canada’s social system have been neglected i...
History, Literature and the Writing of the Canadian Prairies
The Canadian Prairie has long been represented as a timeless and unchanging location, defined by settlement and landscape. Now, a new generation of writers and historians challenge that perception and argue, instead, that it is a region with an evolving culture and history. This collection of ten essays explores a more contemporary prairie identity, and reconfigures "the prairie" as a construct that is non-linear and diverse, responding to the impact of geographical, historical, and political currents. These writers explore the connections between document and imagination, between history and culture, and between geography and time.The subjects of the essays range widely: the non-linear stru...
The L.M. Montgomery Reader
"This second volume narrates the development of L.M. Montgomery{u2019}s (1874{u2013}1942) critical reputation in the seventy years since her death. It traces milestones and turning points such as adaptations for stage and screen, posthumous publications, and the development of Montgomery Studies as a scholarly field"--From publisher description.
We All Giggled
We All Giggled tells the stories of two families that came together when the author’s parents met and married in 1945. The Hüglins had lost most of their fortune in the course of two world wars, and the Wachendorff s had survived the Nazi years despite their Jewish ancestry. The families’ roots are traced back to a vineyard in southern Germany, a jail in Geneva, the Conservatory in St. Petersburg, and the hometown of a Jewish merchant in Silesia. This engaging book centres on the author’s recollections of his grandparents, his parents, and his own growing up in postwar Germany in an environment of bourgeois stability and comfort. As the author chronicles his family’s ups and downs and abiding love for music, food, and art across several generations, a rich tapestry of anecdotes unfolds—about opera singers, restaurants, and travels, and about family relations, romance, and the kind of “impromptu reactions to people, places, and situations that often result in uncontrollable giggles.”
The Newfoundland Diaspora
Out-migration, driven by high unemployment and a floundering economy, has been a defining aspect of Newfoundland society for well over a century, and it reached new heights with the cod moratorium in 1992. This Newfoundland “diaspora” has had a profound impact on the province’s literature. Many writers and scholars have referred to Newfoundland out-migration as a diaspora, but few have examined the theoretical implications of applying this contested term to a predominantly inter-provincial movement of mainly white, economically motivated migrants. The Newfoundland Diaspora argues that “diaspora” helpfully references the painful displacement of a group whose members continue to iden...
