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Pageant of Seasons
This is a collection of Japanese haiku written by an American poet Helen Chenoweth. The author has used a language that is all American in association, but very much enriched by her love for things Japanese. "Poetry in Japan is as universal as air. It is read by everybody, composed by almost everybody, irrespective of class and condition." This statement by Lafcadio Hearn deeply impressed Helen Chenoweth. In course of her comprehensive studies in the art of writing and teaching poetry, she became enchanted by the Japanese haiku, in which the subtlest meanings and feelings can be expressed in three short lines. Pageant of Seasons offers many lyrical haiku, some of which are centered around the Pacific Ocean. Other haiku show nature in all its facets of growing. These poems create a kaleidoscope of charming images and experiences to which each of us will attach his own meanings.
Haiku in English
An anthology of more than 800 poems that were originally written in English by over 200 poets from around the world. This collection tells the story for the first time of Anglophone haiku, charting its evolution over the last one hundred years and placing it within its historical and literary context.
ドン・ブラウン・コレクション書籍目錄
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The Lapidary Journal
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Borrowed Water
More than 300 poems - haiku written by thirteen contributors of the Los Altos Writers Roundtable - on nature, Halloween heirlooms, and library shelves.
American Haiku
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their h...
Circle
David Lloyd's verses are a genuine contribution to the literature of haiku. They capture an image, a moment in time, and engrave it in the memory for all time. This is the mark of good haiku, as indeed it is of good verse in general. His haiku can excite the senses, as in: See the sharp needles forever sewing the sky To the pine branches. Free of irony, except the irony of nature which sets the tone, calls the shots, with a not always recognizable impartiality, their perceptions are too clear for comment: Flowing downstream Between the mountain pines, A bird's embryo. Dogwood blossoms, Their edges turning brown, Recalling legends. Poetic magic raised to a higher power by the author's pen and ink vignettes, complementing each verse. Eye pleasing and evocative, these sketches open little doors to experience.
Haiku East and West
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