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Based on eight papers given at the Native American Art Studies Association in Phoenix in 2005 features previously unseen archival photographs and art photographs by indigenous photographers.
The material culture of persecution : collecting for the Holocaust exhibition at the Imperial War Museum / Suzanne BardgettLyricism and offence in Egyptian archaeology collections / Stephen QuirkeContested human remains / Jack LohmanExtreme or commonplace : the collecting of unprovenanced antiquities / Kathy Walker TubbUnfit for society? : the case of the Galton Collection at UCL / Natasha McEnroeKnowing the new / Susan PearceThe global scope of extreme collecting : Japanese woodblock prints on the Internet / Richard WilkAwkward objects : collecting, deploying and debating relics / Jan GeisbuschGreat expectations and modest transactions : art, commodity and collecting / Henrietta LidchiExtremes of collecting at the Imperial War Museum, 1917-2009 : struggles with the large and the ephemeral / Paul CornishPlasticswhy not? : a perspective from the Museum of Design in Plastics / Susan LambertTime capsules as extreme collecting / Brian DurransCanning cans, or, What you can do with tins : an interview with Robert Opie / J.C.H. King.
To many, the North is a familiar but inaccessible place. Yet images of the region are within easy reach, in magazine racks, on our coffee tables, and on television, computer, and movie screens. In Northern Exposures, Peter Geller uncovers the history behind these popular conceptions of the Canadian North.
Locality, History, Memory: The Making of the Citizen in South Asia was born out of the need to interrogate the tropes through which place, history and memory underpin notions of citizenship in present Southasia. Time as both time present and time past is framed here in two settings: as privileging both place (material or ideological site) and space. The latter refers to religion, oppression, marginalization and/or dalitisation. Time transcends both site/location and actual physical boundaries. Locality or location is therefore envisioned in terms of both actual place as well as a gateway to a larger space, in terms of a situation where historical memory negotiates the increasingly complex pr...
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the...
How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice.
Most of the 13 essays presented here were originally presented at the January 1997 "Gender and Colonialism" conference held at the U. of Western Cape (South Africa). Presented by Woodward (English and cultural studies, U. of the Western Cape), Hayes (history, U. of the Western Cape), and Minkley (history, U. of the Western Cape), the contributions address both colonial and postcolonial issues of identity in Southern Africa from a variety of perspectives within contemporary critical and feminist theories. Topics include slave women's rhetoric and the Eastern Cape courts, ideologies of domesticity and the British construction of the "primitive," Dutch- Afrikaans women's entry into the public sphere in the Cape Colony, male nursing in the mines of 20th-century South Africa, and "gender- blending" and "code-switching" in the South African novel. Annotation copyrighted by Book News, Inc., Portland, OR
Culture and Global Change presents a comprehensive introduction to the cultural aspects of third world development. It contains 25 chapters from leading writers in the field who each explore a particular aspect of 'culture' and the significance and meaning of cultural issues for different people in throughout the contemporary world. With chapters dealing with the importance of 'Third World' cultures but also with changes in Russia, Japan, the USA and the UK, this book considers the relationship between culture and development within a truly global context.
This study focusses on the exhibition of the Tree of Life, a sculpture made in Mozambique of decommissioned, dismantled weapons, created to celebrate peace and commissioned by the British Museum, chosen to be the symbol of the “Africa 2005” season of cultural events and exhibited in its Great Court between February and October 2005. This artwork was first exhibited in Maputo before being dispatched to Britain and it is presently on display at the Sainsbury African Galleries of the British Museum, in London. This dissertation moves along two converging routes: the articulation of the meaning(s) produced within the exhibition and the role of exhibitionary institutions in the creation of so...
Indigenous Tourism Movements explores Indigenous identity using "movement" as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.