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The Aftermaths of Participation
  • Language: en
  • Pages: 273

The Aftermaths of Participation

  • Categories: Art

How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice.

What's Missing?
  • Language: en
  • Pages: 256

What's Missing?

In vielen Museen Europas, die Objekte der Alltagskultur ausstellen, finden derzeit Transformationsprozesse statt. Denn Sammlungen, die uber Jahrzehnte entstanden sind, mussen auf ihre Relevanz fur unsere heutige Gesellschaft hin befragt werden. Die Autor*innen des Bandes widmen sich Leerstellen in Museen: Welche Objekte, Narrative, Methoden und Akteur*innen wurden in bisherigen Uberlegungen zu europaischen Lebensweisen und Gesellschaften zu wenig beachtet? Die Beitrage regen zum Perspektivwechsel an und ermuntern dazu, sich mit den Leerstellen in der Museumsarbeit auseinanderzusetzen.

Göran Gnaudschun
  • Language: de
  • Pages: 120

Göran Gnaudschun

  • Type: Book
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  • Published: 2021-08
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  • Publisher: Unknown

Murcia ist eine sonnenverwohnte Region an der spanischen Mittelmeerküste. Seit Jahrtausenden wandern Menschen aus nah und fern ein. Murcias Klima ist ideal für den Obst- und Gemüseanbau, die dortige Agrarindustrie versorgt ganz Europa. Arbeitskräfte kommen aus dem östlichen Europa, Afrika und Südamerika in die Region. Andere Immigranten stammen aus Nord- und Mitteleuropa: Deutsche und Briten schätzen Murcia als Alterswohnsitz. Der Fotograf Göran Gnaudschun bereiste Murcia im Jahr 2020 für die Ausstellung "Murcia: Im Garten Europas" des Museums Europäischer Kulturen - Staatliche Museen zu Berlin. Er porträtierte die Zugezogenen: In ihren Gesichtern spiegeln sich Träume und Lebensrealitäten. Spuren von Bewegungen und Begegnungen fand er auch in der Landschaft und Architektur. Die Fotoserie und drei begleitende Artikel öffnen ein Fenster in eine bisher kaum bekannte Gegend Europas - in die Gegenwart der spanischen Region Murcia.

Future Memory Practices
  • Language: en
  • Pages: 221

Future Memory Practices

  • Categories: Art

Future Memory Work addresses a crucial challenge in contemporary pluralistic societies: the organisation of open, participatory and socially inclusive memory practices in digital media ecologies. It brings a novel relational approach to future memory work across institutions, people, and modalities. Advancing inter- and transdisciplinary research and rich empirical cases from across Europe and beyond, the book examines how memory practices in digital media are open for engagement of people with diverse backgrounds. It analyses the modalities of memory making and how they can enable institutional and public memory making with a broad spectrum of people and groups in civil society at local, tr...

Culture and Computing. Interactive Cultural Heritage and Arts
  • Language: en
  • Pages: 501

Culture and Computing. Interactive Cultural Heritage and Arts

The two-volume set LNCS 12794-12795 constitutes the refereed proceedings of the 9th International Conference on Culture and Computing, C&C 2021, which was held as part of HCI International 2021 and took place virtually during July 24-29, 2021. The total of 1276 papers and 241 posters included in the 39 HCII 2021 proceedings volumes was carefully reviewed and selected from 5222 submissions. The papers included in the HCII-C&C volume set were organized in topical sections as follows: Part I: ICT for cultural heritage; technology and art; visitors’ experiences in digital culture; Part II: Design thinking in cultural contexts; digital humanities, new media and culture; perspectives on cultural computing.

Collections as Relations
  • Language: en
  • Pages: 286

Collections as Relations

This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures....

Spaces of Commemoration and Communication
  • Language: en
  • Pages: 173

Spaces of Commemoration and Communication

  • Categories: Art

In times of resurgence of ultra-nationalistic and xenophobic tendencies across Europe, education and awareness-raising for all age groups about the history of the Holocaust are of paramount for agency and civil engagement. Stefan Sonvilla-Weiss examines commemorative culture and its transformation towards interactive and participatory experiences through a novel form of visitor engagement at the Mauthausen memorial visiting center. This unique space from an arts-based and media research project builds on human-centered design and individual and collective experiences of contributing to a living memory culture.

Material Culture in Transit
  • Language: en
  • Pages: 204

Material Culture in Transit

Material Culture in Transit: Theory and Practice constellates curators and scholars actively working with material culture within academic and museal institutions through theory and practice. The rich collection of essays critically addresses the multivalent ways in which mobility reshapes the characteristics of artefacts, specifically under prevailing issues of representation and colonial liabilities. The volume attests to material culture as central to understanding the repercussions of problematic histories and proposes novel ways to address them. It offers valuable reading for scholars of anthropology, museum studies, history and others with an interest in material culture.

Who's who Among Students in American Universities and Colleges
  • Language: en
  • Pages: 1602

Who's who Among Students in American Universities and Colleges

  • Type: Book
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  • Published: 1989
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  • Publisher: Unknown

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