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A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous ...
The United States was made in Britain. For over a hundred years following independence, a diverse and lively crowd of emigrant Americans left the United States for Britain. From Liverpool and London, they produced Atlantic capitalism and managed transfers of goods, culture, and capital that were integral to US nation-building. In British social clubs, emigrants forged relationships with elite Britons that were essential not only to tranquil transatlantic connections, but also to fighting southern slavery. As the United States descended into Civil War, emigrant Americans decisively shaped the Atlantic-wide battle for public opinion. Equally revered as informal ambassadors and feared as anti-r...
WWII expert Stevens shows us the incredible and suppressed technology of the Third Reich and their desire to create highly advanced “wingless” aircraft-yes, flying saucers! Learn why the Schriever-Habermohl project was actually two projects and read the written statement of a German test pilot who actually flew one of these saucers; about the Leduc engine, the key to Dr. Miethes saucer designs; how US government officials kept the truth about foo-fighters hidden for almost sixty years and how they were finally forced to come clean about the German origin of foo fighters. Learn of the Peenemuende saucer project and how it was slated to go atomic. Read the testimony of a German eyewitness ...
This first volume of "CrossRoads: A Southern Culture Annual picks up where its predecessor, the acclaimed biannual periodical "CrossRoads: A Journal of Southern Culture, left off when the latter ceased publication in the mid-1990s. Formerly edited by several graduate students affiliated with the University of Mississippi's Center for the Study of Southern Culture (primarily by current editor Ted Olson), "Cross Roads: A Southern Culture Annual will continue its original mission: to provide a forum for diverse perspectives on the South and on Southern culture through combining compelling new fiction and poetry from well-known as well as emerging Southern authors, with eloquent articles, memoirs, oral histories, and photo essays that interpret and celebrate relevant manifestations of the Southern cultural experience. "CrossRoads: A Southern Culture Annual will deepen readers' awareness of and connection to the South.
Now we know what spooked the Allies in the closing months of the war and why they were in such a panic to win quickly. The Allies assembled intelligence reports of supermetals, electric guns, and ray weapons able to stop the engines of Allied aircraft in addition to their worst fears of x-ray and laser weaponry. Then there were the bombs. Contained in this book are reports of structured bombs of nipolit, N-stoff bombs, cold bombs, oxygen bombs which destroyed all life, atomic bombs and rumors of the mysterious molecular bomb. The true history of the fuel-air bomb is revealed by our own military. There is even a probability that the SS black alchemists of the 3rd Reich were experimenting with...
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