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Henry W. Miller
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English Book Collectors
Reproduction of the original: English Book Collectors by William Younger Fletcher
Henry Miller on Writing
Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.
The Paris Gun
The Paris Gun, first published in 1930, is a detailed account of the design, construction, and operation of the several German long-range cannons used to bombard Paris in 1918. While not accurate, the guns were used to instill terror in the civilian population and over 300 of the massive shells were fired on the city between March 23 and August 9, 1918. After the war, author Henry Miller, a U.S. Army ordnance officer, interviewed German artillery officers who were directly involved in the project, providing a unique, first-hand look at these weapons. Included are 38 pages of illustrations and maps.
The Books in My Life
In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years.
The Colossus of Maroussi
Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”
To Paint is to Love Again
New and expanded edition of the title, first published in 1960.
A Refuge of Cure or Care
In A Refuge of Cure or Care: The Sensory Dimensions of Confinement at the Worcester State Hospital for the Insane, Madeline Kearin Ryan analyzes the therapy model of the nineteenth-century asylum. Because the five senses were believed to provide a direct conduit into a person’s mental condition, the curative force of the hospital was thought to reside in its command over sensory experience. Ryan examines how the institution was designed to target each of the five senses as a mode of therapy, and conversely, how that well-intentioned design materialized in the haphazard realm of institutional practice. In doing so, Ryan seeks to reconcile the disjuncture between the benevolent promise of the asylum model and its ultimate failure in a way that captures the complex power dynamics and heterogeneity of actors within the institution.
