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Speculative Fictions
An exploration of the proliferation of historical novels in English-Canadian literature over the last thirty years.
Speaking in the Past Tense
Consists of interviews with eleven Canadian historical novelists.
A Sense of Place
A re-evaluation of regionalism in Canadian and American writing, A Sense of Place provides a comparative approach to the issue within a continental framework. The contributors to this collection-including Frank Davey, Marjorie Pryse, and Jonathan Hart-look at a broad range of writers. They explore regionalism on both sides of the border in light of the central political, cultural, literary, and theoretical debates of our times.
Ethical Encounters
The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the representation of encounters with alterity in the writings of the Canadian author Rudy Wiebe. Drawing on Emmanuel Levinas’s philosophy on the ethics of encountering the other, the book argues that Wiebe’s writings show that the self’s knowledge offers an inadequate basis for ethically valid representations of those encounters. In the search for ethical ways of engaging with alterity, Wiebe’s writings offer new ways of employing silence and the presence of the unknowable as means to explore encounters with alterity. Ethical Encounters s...
Across Canada by Story
More adventures from one of Canada's premier editors and storytellers Canada is a country rich in stories, and few take as much joy as Douglas Gibson in discovering them. As one of the country's leading editors and publishers for 40 years, he coaxed modern classics out of some of Canada's finest minds, and then took to telling his own stories in his first memoir, Stories About Storytellers. Gibson turned his memoir into a one-man stage show that eventually played almost 100 times, in all ten provinces, from coast to coast. As a literary tourist, he discovered even more about the land and its writers and harvested many more stories, from distant past and recent memory, to share. Now in Across Canada by Story, Gibson brings new stories about Robertson Davies, Jack Hodgins, W.O. Mitchell, Alistair MacLeod, and Alice Munro, and adds lively portraits of Al Purdy, Marshall McLuhan, Margaret Laurence, Guy Vanderhaeghe, Margaret Atwood, Wayne Johnson, Linwood Barclay, Michael Ondaatje, and many, many others. Whether fly fishing in Haida Gwaii or sailing off Labrador, Douglas Gibson is a first-rate ambassador for Canada and the power of great stories.
The Arts and the Teaching of History
This book closely examines the pedagogical possibilities of integrating the arts into history curriculum at the secondary and post-secondary levels. Students encounter expressions of history every day in the form of fiction, paintings, and commemorative art, as well as other art forms. Research demonstrates it is often these more informal encounters with history that define students’ knowledge and understandings rather than the official accounts present in school curricula. This volume will provide educators with tools to bring together these parallel tracks of history education to help enrich students’ understandings and as a mechanism for students to present their own emerging historical perspectives.
Signatures of the Past
In the last decades of the twentieth century, North American drama has powerfully enacted the problematic notions of cultural memory and identity, as the essays assembled in this critical anthology demonstrate. Echoing Derrida's non-essentialist interpretation of the term «signature», this collection provides an innovative focus on North American theatre and drama as a site of latent cultural memories. In this volume, the concept of cultural memory offers a privileged vantage point from which to redefine issues of diasporic identities, exilic predicaments, and multi-ethnic subject positions at the dawn of a new century. Playwrights examined here include noted Canadian and US artists such as Marie Clements, Eva Ensler, Lorraine Hansberry, Tomson Highway, Cherríe Moraga, Djanet Sears, Guillermo Verdecchia, August Wilson, and Chay Yew, to cite but a few. In the process of remembering, North American dramatists develop new aesthetic modes in which the signatures of the past merge with the present and foreshadow an imagined future.
The Cambridge Companion to Canadian Literature
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
Sensing Space
This book enlarges the perspective of literary geography which tends to focus on the correspondence between the objective world the geographer addresses and its subjective rendering in art. Instead it considers how geography informs fresh aesthetic responses to space in contemporary Canadian literature, with specific attention to the writings of Alistair MacLeod, Jane Urquhart, Anne Michaels, Aritha van Herk, Rudy Wiebe, Robert Kroetsch and Thomas Wharton. This broadening leads to a series of interrogations: what blanks in conventional landscape writing does physical geography fill, and how? Where does the efficiency of geography lie beyond its scientific accuracy or descriptive relevance? P...
National Plots
Fiction that reconsiders, challenges, reshapes, and/or upholds national narratives of history has long been an integral aspect of Canadian literature. Works by writers of historical fiction (from early practitioners such as John Richardson to contemporary figures such as Alice Munro and George Elliott Clarke) propose new views and understandings of Canadian history and individual relationships to it. Critical evaluation of these works sheds light on the complexity of these depictions. The contributors in National Plots: Historical Fiction and Changing Ideas of Canada critically examine texts with subject matter ranging from George Vancouver’s west coast explorations to the eradication of t...
