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Drawing on previously unpublished archival materials, this study spans three generations of the Lushington family. It investigates their personal histories through the themes of social, artistic, and cultural history. The author analyzes the Lushington family’s relationships with well-known figures like Lady Byron, Queen Caroline, and members of the Bloomsbury Group. Most importantly, this study examines Lushington family members’ roles within larger trends, including abolitionism, the Pre-Raphaelite movement, and Positivism.
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In Digital Vertigo, Andrew Keen presents today's social media revolution as the most wrenching cultural transformation since the Industrial Revolution. Fusing a fast-paced historical narrative with front-line stories from today's online networking revolution and critiques of "social" companies like Groupon, Zynga and LinkedIn, Keen argues that the social media transformation is weakening, disorienting and dividing us rather than establishing the dawn of a new egalitarian and communal age. The tragic paradox of life in the social media age, Keen says, is the incompatibility between our internet longings for community and friendship and our equally powerful desire for online individual freedom...
By the last decades of the nineteenth century, more people were making more speeches to greater numbers in a wider variety of venues than at any previous time. This book argues that a recognizably modern public life was created in Victorian Britain largely through the instrumentality of public speech. Shedding new light on the careers of many of the most important figures of the Victorian era and beyond, including Gladstone, Disraeli, Sir Robert Peel, John Bright, Joseph Chamberlain, Winston Churchill, Lloyd George, Charles Haddon Spurgeon, and Canon Liddon, the book traces the ways in which oratory came to occupy a central position in the conception and practice of Victorian public life. Not a study of rhetoric or a celebration of great oratory, the book stresses the social developments that led to the production and consumption of these speeches.
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