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Describes and defends the centrality of discomfort for consumers of various arts--literature, architecture, visual art, music, dance, and cinema.
In the tradition of Ruskin and Arnold, here's a witty, elegant essay on the contemporary academy by a renowned teacher, scholar, and former administrator.
Through dreams and shadows and strangeness, through blinding charms and eye-opening counter-charms, through moments of mortification and laughter—thus Stuart M. Tave traces the journey of the lovers, clowns, and fairies who populate comedies from A Midsummer Night's Dream to Waiting for Godot. Tave avoids the pitfalls of theory, taking instead a close look at particular works to give us a sense of the relations between certain dramas and novels that are called comedies. The result is a wonderfully readable book that renews our delight in the enchanting possibilities of literature. A Midsummer Night's Dream, in its "perfection," is Tave's point of departure. Its characters fall neatly into ...
The volumes in this set, originally published between 1953 and 1992, discuss the causes and conditions which allowed the French Revolution to happen and its impact on wider European politics and society. As well as charting key events in the revolution, the conclusion discusses the significance of the French Revolution in the context of other revolutions in both the nineteenth and twentieth centuries. One of the volumes discusses whether the French Revolution is part of Germany’s progressive tradition, whilst others trace the growth of English radicalism and the growth of the French Press, showing the importance of the emergence of provincial newspapers, and examining the relationship of journalism with political power.
This book, originally published in 1992, traces the discourse on the French Revolution in Germany and its contributors investigate the processes and results of adopting or rejecting the values of the French Revolution in Germany and reinterprets its documents in terms of their internalization. One of the questions discussed is whether the French Revolution is part of Germany’s progressive tradition, that is, whether it has been repressed or whether it constitutes a viable counter-discourse within the political culture. The first successful revolution in Germany – the ‘Velvet Revolution’ of Autumn 1989 does not fit the definition of ‘classic revolutions, but it ended in a change of power in Germany and in that respect, this book is an anatomy of German political consciousness before 1989.
"In Opera: The Art of Dying a physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that this extravagant and seemingly artificial art imparts"--Besedilo z zavihka.
A study of Oscar Wilde's Salomé in modernist and postmodernist literature and culture
In recent years, the world of literary and cultural studies has been riven by a fierce debate between those who would transform interpretative work and those who fear that their work would destroy the very essence of literary criticism.