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The Politics of Culture in Soviet-Occupied Germany, 1945-1949
They allow for a painstaking analysis of the political and "aesthetic" priorities of a developing Stalinist culture while raising intriguing questions about the early stages of the Cold War and the subsequent division of Germany. In particular, the gradual introduction of Zhdanovist or socialist-realist political norms and aesthetic forms into Soviet-occupied Germany closely paralleled developments in the Soviet Union during the infamous zhdanovshchina (1946-1948). Smear campaigns against "formalism," "decadence," and "cosmopolitanism," carefully tailored to local circumstances, were the natural consequence. Simultaneously, the German Communists worked behind the scenes with the Soviet occupation regime to establish the administrative apparatus for the enforcement of these standards, imported from the Soviet Union and calculated to infuse German art and literature with the proper political priorities.
DEFA
The state-sponsored Deutsche Film Anstalt (DEFA) was responsible for film production in the former GDR from 1946 until 1992. This volume traces the development of DEFA and East German cinema.
Physical Characteristics of Early Films as Aids to Identification
Any archivists who have held a piece of fi lm in their hands, wondering how to go about identifying it, recognize the true value of fi lm preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the International Federation of Film Archives (FIAF) in East Berlin. Years of working with Britain's National Film Archive collections, and the close examination of thousands of nitrate prints of the silent period, made Brown a leading authority on early fi lm identification, and an unsurpassed model of methodological consciousness in the archival field. In 1990, FIAF published Brown's Physical Characteristics of ...
The Triumph of the Ordinary
Were movies in the East Bloc propaganda or carefully veiled dissent? In the first major study in English of East German film, Joshua Feinstein argues that the answer to this question is decidedly complex. Drawing on newly opened archives as well as interviews with East German directors, actors, and state officials, Feinstein traces how the cinematic depiction of East Germany changed in response to national political developments and transnational cultural trends such as the spread of television and rock 'n' roll. Celluloid images fed a larger sense of East German identity, an identity that persists today, more than a decade after German reunification. But even as they attempted to satisfy ca...
The Silent Peacemaker: Intellectual Property Rights and the Interwar International Legal Order, 1919–1939
This collection of essays explores the role intellectual property played in the interwar period and the expansion and protection of intellectual property rights. The geographical scope of the book is global so as to give perspectives from different regions on how intellectual property law developed. The topics covered range from a synopsis of intellectual property in Jewish works confiscated by the Nazis to how intellectual property can be understood as part of the evolution of inventors’ moral rights. This volume’s aim is to develop new narratives on the ideas and structures of intellectual property during the interwar period and on how those ideas and structures were held together by the competing forces of markets, ownership and political ideals of the international legal order at that time. Contributors are: Michael Blakeney, Enrico Bonadio, Patricia Covarrubia, Christine Haight Farley, Laura Ford, Giacomo Gabbuti, Johanna Gibson, Phillip Johnson, Ekaterina Kirsanova, Anat Lior, P. Sean Morris, Alessandro Nuvolari, Emmanuel Oke, Véronique Pouillard, Akshita Rohatgi, Anele Simon, Caterina Sganga, Noppanun Supasiripongchai, Masabumi Suzuki, and Lior Zemer.
Christian Counseling and Occultism (Koch)
An in-depth manual offering solutions to the problems involved in counseling those entrapped in the occult.
