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Hermann Gunkel's commentary on Psalms (Die Psalmen, HKAT)—considered by many to be his magnum opus—was published in 1926. But he was unable to complete his final work on the Psalms. The severe suffering of the final months of his life forced him to hand over his incomplete manuscript, at Christmastime 1931, to his pupil Joachim Begrich. Gunkel died on 11 March 1932. Begrich put the final touches on the organization of Gunkel's last work on Psalms, and it was published in 1933 as Einleitung in die Psalmen: die Gattungen der religiosen Lyrik Israels. As with much of Gunkel's other work, the influence of Einleitung in die Psalmen on the study of the Pslams, Hebrew poetry, and, indeed, the whole realm of Old Testament literature, lyric, and cult, as already noted, "can scarcely be overestimated.”
Foreword by Peter Machinist Hermann Gunkel's groundbreaking Schöpfung und Chaos, originally published in German in 1895, is here translated in its entirety into English for the first time. Even though available only in German, this work by Gunkel has had a profound influence on modern biblical scholarship. Discovering a number of parallels between the biblical creation accounts and a Babylonian creation account, the Enuma Elish, Gunkel argues that ancient Babylonian traditions shaped the Hebrew people's perceptions both of God's creative activity at the beginning of time and of God's re-creative activity at the end of time. Including illuminating introductory pieces by eminent scholar Peter Machinist and by translator K. William Whitney, Gunkel's Creation and Chaos will appeal to serious students and scholars in the area of biblical studies.
Foreword by Peter Machinist Hermann Gunkel's groundbreaking Schöpfung und Chaos, originally published in German in 1895, is here translated in its entirety into English for the first time. Even though available only in German, this work by Gunkel has had a profound influence on modern biblical scholarship. Discovering a number of parallels between the biblical creation accounts and a Babylonian creation account, the Enuma Elish, Gunkel argues that ancient Babylonian traditions shaped the Hebrew people's perceptions both of God's creative activity at the beginning of time and of God's re-creative activity at the end of time. Including illuminating introductory pieces by eminent scholar Peter Machinist and by translator K. William Whitney, Gunkel's Creation and Chaos will appeal to serious students and scholars in the area of biblical studies.
This translation of Hermann Gunkel's commentary on Genesis makes this work available to English readers for the first time. Pioneering source- and form-critical methods, Gunkel also brought literary and cultural sensitivity to interpretation.
Franz Delitzsch's lectures in 1902 and 1903 set off the Babel-Bible controversy, which rocked Europe and North America. In this searing critique of Delitzsch, Gunkel provides his own analysis of the relationship between ancient Israel and Babylon. In this edition, Gunkel's original work is newly translated, with a new Foreword, notes, bibliographies, and indexes.
With an introd. by James Muilenburg. Translated by Thomas M. Horner.
Hermann Gunkel was a scholar in the generation of the origins of Assyriology, the spectacular discovery by George Smith of fragments of the “Chaldean Genesis,” and the Babel-Bibel debate. Gunkel’s thesis, inspired by materials supplied to him by the Assyriologist Heinrich Zimmern, was to take the Chaoskampf motif of Revelation as an event that would not only occur at the end of the world but had already happened at the beginning, before Creation. In other words, in this theory, one imagines God in Genesis 1 as first having battled Rahab, Leviathan, and Yam (the forces of Chaos) in a grand battle, and only then beginning to create. The problem with Gunkel’s theory is that it did not s...
Back cover: What did biblical scholars, theologians, orientalists, philologists, and ancient historians of the 19th century consider "religion" and "history" to be? How did they understand these conceptual categories, and why did they study them in the manner they did? Analyzing the figures of Julius Wellhausen and Hermann Gunkel, Paul Michael Kurtz examines the historiography of ancient Israel in the German Empire through the prism of religion, as a structuring framework not only for writings on the past but also for the writers of that past themselves.
"Elijah, Yahweh, and Baal is a masterpiece presented with authority by a twentieth-century accomplished and unsurpassed exegete. It is now translated by a disciple, whose elegant rendition sounds as if Hermann Gunkel had originally written himself the book in English." --Andre LaCocque, The Chicago Theological Seminary, Chicago, IL "Written a century ago for a church audience eager to learn how the best scholarship of the day could illuminate one of the Bible's most absorbing stories, this little book shows Gunkel at the height of his powers of critical perspicuity, explanatory finesse, and reverent sensitivity, the ideal Bible study leader, at once learned, captivating, and devout. . . . Mo...