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On the Conservation of Force
"On the Conservation of Force" by Hermann von Helmholtz (translated by Edmund Atkinson). Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Hermann von Helmholtz’s Mechanism: The Loss of Certainty
Focusing on Hermann von Helmholtz, this study addresses one of the nineteenth century’s most important German natural scientists. Among his most well-known contributions to science are the invention of the ophthalmoscope and grou- breaking work towards formulating the law of the conservation of energy. The volume of his work, reaching from medicine to physiology to physics and epis- mology, his impact on the development of the sciences far beyond German borders, and the contribution he made to the organization and popularization of research, all established Helmholtz’s prominence both in the academic world and in public cultural life. Helmholtz was also one of the last representatives of a conception of nature that strove to reduce all phenomena to matter in motion. In reaction to the increasingly insurmountable difficulties that program had in fulfilling its own standards for s- entific explanation, he developed elements of a modern understanding of science that have remained of fundamental importance to this day.
Hermann von Helmholtz and the Foundations of Nineteenth-Century Science
Hermann von Helmholtz (1821-1894) was a polymath of dazzling intellectual range and energy. Renowned for his co-discovery of the second law of thermodynamics and his invention of the ophthalmoscope, Helmholtz also made many other contributions to physiology, physical theory, philosophy of science and mathematics, and aesthetic thought. During the late nineteenth century, Helmholtz was revered as a scientist-sage—much like Albert Einstein in this century. David Cahan has assembled an outstanding group of European and North American historians of science and philosophy for this intellectual biography of Helmholtz, the first ever to critically assess both his published and unpublished writings. It represents a significant contribution not only to Helmholtz scholarship but also to the history of nineteenth-century science and philosophy in general.
Hermann von Helmholtz’s Mechanism: The Loss of Certainty
Focusing on Hermann von Helmholtz, this study addresses one of the nineteenth century’s most important German natural scientists. Among his most well-known contributions to science are the invention of the ophthalmoscope and grou- breaking work towards formulating the law of the conservation of energy. The volume of his work, reaching from medicine to physiology to physics and epis- mology, his impact on the development of the sciences far beyond German borders, and the contribution he made to the organization and popularization of research, all established Helmholtz’s prominence both in the academic world and in public cultural life. Helmholtz was also one of the last representatives of a conception of nature that strove to reduce all phenomena to matter in motion. In reaction to the increasingly insurmountable difficulties that program had in fulfilling its own standards for s- entific explanation, he developed elements of a modern understanding of science that have remained of fundamental importance to this day.
Hermann von Helmholtz’s Mechanism: The Loss of Certainty
Focusing on Hermann von Helmholtz, this study addresses one of the nineteenth century’s most important German natural scientists. Among his most well-known contributions to science are the invention of the ophthalmoscope and grou- breaking work towards formulating the law of the conservation of energy. The volume of his work, reaching from medicine to physiology to physics and epis- mology, his impact on the development of the sciences far beyond German borders, and the contribution he made to the organization and popularization of research, all established Helmholtz’s prominence both in the academic world and in public cultural life. Helmholtz was also one of the last representatives of a conception of nature that strove to reduce all phenomena to matter in motion. In reaction to the increasingly insurmountable difficulties that program had in fulfilling its own standards for s- entific explanation, he developed elements of a modern understanding of science that have remained of fundamental importance to this day.
Helmholtz
The first biography in English of a nineteenth-century German scientist whose experimental approach influences today's neuroscience. Although Hermann von Helmholtz was one of most remarkable figures of nineteenth-century science, he is little known outside his native Germany. Helmholtz (1821–1894) made significant contributions to the study of vision and perception and was also influential in the painting, music, and literature of the time; one of his major works analyzed tone in music. This book, the first in English to describe Helmholtz's life and work in detail, describes his scientific studies, analyzes them in the context of the science and philosophy of the period—in particular th...
Helmholtz and the Modern Listener
The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.
