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David Alexander
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Debussy's Critics
Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impre...
Helmholtz and the Modern Listener
Steege explores Helmholtz's significance within a historical shift in the theory and practice of listening in nineteenth-century European culture.
The Man Who Saved Geometry
An illuminating biography of one of the greatest geometers of the twentieth century Driven by a profound love of shapes and symmetries, Donald Coxeter (1907–2003) preserved the tradition of classical geometry when it was under attack by influential mathematicians who promoted a more algebraic and austere approach. His essential contributions include the famed Coxeter groups and Coxeter diagrams, tools developed through his deep understanding of mathematical symmetry. The Man Who Saved Geometry tells the story of Coxeter’s life and work, placing him alongside history’s greatest geometers, from Pythagoras and Plato to Archimedes and Euclid—and it reveals how Coxeter’s boundless creativity reflects the adventurous, ever-evolving nature of geometry itself. With an incisive, touching foreword by Douglas R. Hofstadter, The Man Who Saved Geometry is an unforgettable portrait of a visionary mathematician.
Altered Sensations
Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In part...
Auditive Wissenskulturen
Die sozial- und kulturwissenschaftliche Erforschung auditiver Phänomene ist stets mit spezifischen Wissensformen konfrontiert. Die Rolle, die Musik und andere Klänge in verschiedenen sozialen und kulturellen Kontexten spielen, hängt mit dem Wissen zusammen, welches in bestimmter Weise (re)produziert und vermittelt wird. Wir können etwas über Klänge wissen, oder etwas durch Klänge wissen. Wir können Wissen über die spezifische Erzeugung von Klängen erwerben und weitergeben, oder aber Nachrichten – etwa eine Warnung – klanglich übermitteln. Diese vielfältigen Formen von Klangwissen können auf sehr unterschiedliche Weisen zum Gegenstand wissenschaftlicher Untersuchungen gemacht werden. Der vorliegende Band zu auditiven Wissenskulturen ist ein Versuch, jene üblicherweise in verschiedenen Disziplinen wie Soziologie und Anthropologie, in Geschichte, Psychologie, Ethnologie und Philosophie der Musik oder in Medienwissenschaften verorteten Zugänge zu auditivem Wissen in ein produktives interdisziplinäres Gespräch zu bringen.
The Cambridge Introduction to Satire
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
