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Nadirs
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Herta Müller
A critical companion to the works of Herta Müller, winner of the Nobel Prize in Literature in 2009.
Herta M_ller
Two languages—German and Romanian—inform the novels, essays, and collage poetry of Nobel laureate Herta Müller. Describing her writing as “autofictional,” Müller depicts the effects of violence, cruelty, and terror on her characters based on her own experiences in Communist Romania under the repressive Nicolae Ceauşescu regime. Herta Müller: Politics and Aesthetics explores Müller’s writings from different literary, cultural, and historical perspectives. Part 1 features Müller’s Nobel lecture, five new collage poems, and an interview with Ernest Wichner, a German-Romanian author who has traveled with her and sheds light on her writing. Parts 2 and 3, featuring essays by sch...
The Land of Green Plums
Mueller takes an unflinching look at the alienation and complexity of a rapidly changing Eastern Europe, focusing on a group of young friends in Ceaucescu's Romania.
The Appointment
From the winner of the IMPAC Award comes a fierce novel about a young Romanian woman's discovery of betrayal in the most intimate reaches of her life.
Cristina and Her Double
Simon Schama, in defence of the essay in the age of Twitter, writes: 'The self-propulsion of a ranging intelligence is the dynamo that drives a powerful essay; the headlong gallop of thought to a destination the reader can't predict and which may not have occurred to the writer when he began.' That power, that propulsion, that surprise is evident in every one of this selection of the very finest of the essays produced over the past 20 years by the Romanian-German Nobel Laureate Herta Mller. She interrogates Communist society - especially in its bizarre Romanian Ceausescu variation - and matters of complicity, secrecy, betrayal, guilt, responsibility, resistance and the power of literature. Her writing is bewitching and convincing; her approach is unswerving, unsparing and undeluded. Her reader is grateful. These are among the most powerful demonstrations of the pen's might exceeding the sword's to be produced in the last forty years in Europe.
The Appointment
'I've been summoned, Thursday, ten sharp.' So begins one day in the life of a young clothing-factory worker during Ceausescu's totalitarian regime. She has been questioned before, but this time she knows it will be worse. Her crime? Sewing notes into the linings of men's suits bound for Italy. 'Marry me', the notes say, with her name and address. Anything to get out of the country.As she rides the tram to her interrogation, her thoughts stray to her friend Lilli, shot while trying to flee to Hungary; to her grandparents, deported after her first husband informed on them; to Major Albu, her interrogator, who begins each session with a wet kiss on her fingers; and to Paul, her lover and the one person she can trust. In her distraction, she misses her stop and finds herself on an unfamiliar street.And what she discovers there suddenly puts her fear of the appointment into chilling perspective. Bone-spare and intense, The Appointment is a pitiless rendering of the terrors of a crushing regime.
Painter of Silence
SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION 2012 Iasi, Romania, the early 1950s. A nameless man is found on the steps of a hospital. Deaf and mute, he is unable to communicate until a young nurse called Safta brings paper and pencils with which he can draw. Slowly, painstakingly, memories appear on the page. The memories are Safta's also. For the man is Augustin, son of the cook at the manor house which was Safta's family home. Born six months apart, they grew up with a connection that bypassed words. But while Augustin's world remained the same size Safta's expanded to embrace languages, society - and a fleeting love, one long, hot summer. But then came war, and in its wake a brutal Stalinist regime, and nothing would remain the same.
Throats of Narcissus (p)
In Bruce Bond's fourth full-length book, The Throats of Narcissus, the myth of Narcissus finds its transfiguring mirror in poems of a contemporary world, a world rendered precarious by literal and metaphysical famine, by the blood of fathers and distant strangers, the charred relics of foreign wars and nearer fires as well--a world wrestling with problems of its own self-regard and the consequent spiritual longing for personal communion and creative transformation. Thus the myth of Narcissus resonates not only as a story of self-absorption and demise, but also of life-affirming metamorphosis. As a result, we see not only poems concerning childhood and the dawn of guilt, desire, and self-awareness, but also poems featuring jazz figures of the fifties and sixties, heroes of creative discipline and play who dealt musically with their own narcissistic wounds and addictions, leaving a generous legacy of pleasures, however rebellious and private their roots.
Race, IQ and Jensen
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