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Prague Linguistic Circle Papers
This volume is the first one of the revived series of "Travaux," which was the well-known international book series of the classical Prague Linguistic Circle, published in the years 1929-39. The tradition of the Circle still attracts attention in broad circles of European and American linguistics. The first volume of the new series is divided into five sections: 1. Introductory papers characterizing the development of the Prague School in the recent decades; 2. Methodological issues of structural and functional linguistics; 3. Sentence structure; 4. Discourse patterns; 5. Theory of literature. In accordance with the tradition, the volume contains contributions concerning issues of principle, empirical linguistic studies, and also papers from the theory of literature.
Approaching Postmodernism
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrech...
Adapting Chekhov
This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practic...
Theatre and Religion
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John Gay’s The Beggar’s Opera 1728-2004
When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyo...
The Structure of the Literary Process
These papers on the structure of the literary process were brought together in memory of Felix Vodicka (19091974). Contributions by: Jacek Baluch, Miroslav Cervenka, Kvetoslav Chvatík, E.M. van Dam-Havelková, Sergej Davydov, Lubomir Doleel, Miroslav Drozda, Jan van der Eng, F.W. Galan, Mojmír Grygar, Wolfgang Iser, Milan Jankovic, Hans Robert Jauss, Renate Lachmann, Gail Lenhoff, Ladislav Matejka, Tone Pretnar, Lucylla Pszczolowska, Janice A. Radway, Charles Eric Reeves, Herta Schmid, Milo Sedmidubský, Peter Steiner, Wendy Steiner, Oleg Sus, Ronald Vroon.
Theme and Space
Since the appearance of Lotman's Poetics of the Artistic Text (1970) and Universe of the Mind (1990), and Eco's Introduction to Semiotics (1972), the investigation of the working of signs in language, the arts and the sciences has witnessed an ever-increasing impact on our understanding of human culture. In this book an attempt is made at developing a linguistic model for the semiotics of culture, and to apply this to the analysis of a number of Russian and Polish dramatic texts, mostly from the nineteenth-century. In the first five chapters such well known plays as Ostrovskij's The Thunderstorm, Turgenev's A Month in the Country and Gogol's The Inspector-General are discussed, alternatively...
