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Principia: "Philosophiae Naturalis Principia Mathematica"
Philosophiæ Naturalis Principia Mathematica (Latin for Mathematical Principles of Natural Philosophy), often referred to as simply the Principia, is a work in three books by Isaac Newton, in Latin, first published 5 July 1687. After annotating and correcting his personal copy of the first edition, Newton published two further editions, in 1713 and 1726. The Principia states Newton's laws of motion, forming the foundation of classical mechanics; Newton's law of universal gravitation; and a derivation of Kepler's laws of planetary motion (which Kepler first obtained empirically). The Principia is considered one of the most important works in the history of science. The French mathematical phy...
Kuzey - Burhan Sönmez
Yokluğun bilincinden söz edemeyiz. Âşık, sevgiliyi tanımadan önce içinde bulunduğu yokluğun farkında değildir. Oradan çıkıp varlığa ermesi, kendini bilmesi ancak severek mümkün olur. Varoluşun başı döndürmesi bundandır, yıldızlı gökyüzü gibi, insanın aklını alır. “Aşkı tattıktan sonra sevgilisini kaybeden âşığın içine düştüğü yalnızlık ise gerçek yalnızlıktır. Bu, Tanrı’nın evreni yaratmasından önceki yalnızlığı gibi yokluktan değil, varlıktan doğar. Önce varlığa ermiş, sonra yitirmiştir. Nasıl ki Tanrı evreni yok edip artık yalnızlığa geri dönemezse, âşık da geri dönülmez bir yerdedir. Aşk sayesinde kendini var etmiştir, ama kendi varlığının Tanrısı değildir, çaresizliği, acıları buradan gelir."
Ottoman Women during World War I
Using the newest sources, this book reveals the experience of Ottoman Muslim women during World War I.
From the Nightmare
What if our dreams came true? What about our Nightmares? Archaeologist John Smith, who has been conducting a mysterious excavation in the ancient city of Pompeii in Italy for 10 years, which began in 2012, discovers a peculiar statue one day, and after he finds the statue and brings it home, his little daughter Elsa suddenly begins to have strange and terrible nightmares one night. These dreams that ignored at first, contain a series of cryptic messages about a terrible impending catastrophe that will change the fate of the Archaeologist and later the whole world, and even more frighteningly, over time, these nightmares begin to come true. In the nightmares this demonic creature communicates...
The Archaeology of the Caucasus
This conspectus brings together in an accessible and systematic manner a dizzy array of archaeological cultures situated between several worlds.
Forensic Entomology
The first edition of Forensic Entomology: The Utility of Arthropods in Legal Investigations broke ground on all levels, from the caliber of information provided to the inclusion of copious color photographs. With over 100 additional color photographs, an expanded reference appendix, and updated information, the second edition has raised the bar for resources in this field, elucidating the basics on insects of forensic importance. New in the Second Edition: A chapter on insect identification that presents dichotomous keys Updates on DNA molecular techniques and genetic markers Coverage of new standardization in forensic entomological analysis Chapters on climatology and thermoregulation in insects 100 new color photographs, making available a total of 650 color photographs Goes Beyond Dramatics to the Nitty Gritty of Real Practice While many books, movies, and television shows have made forensic entomology popular, this book makes it real. Going beyond dramatics to the nitty gritty of actual practice, it covers what to search for when recovering entomological evidence, how to handle items found at the crime scene, and how to use entomological knowledge in legal investigations.
Labyrinth
Notable International Crime Novel of the Year – Crime Reads / Lit Hub From a prize-winning Turkish novelist, a heady, political tale of one man’s search for identity and meaning in Istanbul after the loss of his memory. A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths. From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it? Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.
