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Depicted Deities
This book deals with the rules of art. More specifically, it treats of the unwritten rules of Nepalese religious art as laid down in ‘model books’. These can be seen as manuals for the artists, in which they can find the correct way to represent, in visual art, any of some 2000 godly figures. The representation of these gods, all of them with their particular attributes, was (and is) subject to more or less strict rules. These books, the kind of which is also found in Europe in the early Middle Ages, have developed into a special tradition in Nepal, where a unique number of model books was found to be in existence, the oldest of them going back to the 15th century. The author of this study (the first in its kind) has traced the development in time of some 150 popular Hindu deities to determine the meaning of these model books for the artists using them, and also to see if the representation of these gods is in any way related to changes in society.
Laughter in the Middle Ages and Early Modern Times
Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
Emblems and Impact Volume II
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
Dutch Paintings in the Metropolitan Museum of Art
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Unloaded
Nominated for the 2017 Anthony Award for Best Anthology/Collection *** Proceeds from the sales of Unloaded will benefit the nonprofit States United To Prevent Gun Violence (CeaseFireUSA.org) *** For the first time, more than two dozen crime and mystery authors have joined together to use the strongest weapon at their disposal—words—in a call for reasonable gun control in the U.S.A. In this collection you get all the thrills and excitement you come to expect from a great crime story, but without any guns. From best sellers and writing legends to the brightest stars of the next generation of crime writers, the twenty-five authors here have taken pen in hand to say enough is enough. Gun vio...
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