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The Seventh Window
1997 was an important year for Sint Janskerk in Gouda, as the Museo del Prado in Madrid asked to borrow the cartoon of the King's Window by Dirck Crabeth for the exhibition 'Felipe II. Un príncipe del Renacimiento'. Inspired by this event, it was decided to compile an anthology about the church's seventh window. Based on the many-facetted topic an international group of scholars from various disciplines studied the stained-glass window in depth as a crucial presentation of Philip II's Netherlandish and English years. An important step in current research into an enthralling era in European history of the sixteenth century.
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Through the Poet’s Eye
"Though best known as poets, Adam Zagajewski (born 1945), Zbigniew Herbert (1924-98), and Joseph Brodsky (1940-96) wrote some of the most original prose of this century. It is this prose - remarkable for its cross-cultural complexity and interdisciplinary richness - that concerns Bozena Shallcross in Through the Poet's Eye. The travels undertaken by these Eastern European poets, who each journeyed to the West under different circumstances, give Shallcross her point of departure as she explores the connections between the sensory experience of travel and the revelatory perception of the visual arts manifest in their writings." --Book Jacket.
Mary Tudor
Daughter of Henry VIII, half-sister to the future Elizabeth I, the turbulent life of the first woman to rule England and the cruel fate of those who opposed her iron will.
Consumption and the World of Goods
The study of past society in terms of what it consumes rather than what it produces is - relatively speaking - a new development. The focus on consumption changes the whole emphasis and structure of historical enquiry. While human beings usually work within a single trade or industry as producers, as, say, farmers or industrial workers, as consumers they are active in many different markets or networks. And while history written from a production viewpoint has, by chance or design, largely been centred on the work of men, consumption history helps to restore women o the mainstream. The history of consumption demands a wide range of skills. It calls upon the methods and techniques of many oth...
Music and Visual Culture in Renaissance Italy
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend i...
Life and Still Life
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Laughter in the Middle Ages and Early Modern Times
Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
Women and Gender in the Early Modern Low Countries, 1500 - 1750
Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations. Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thøfner, and Diane Wolfthal.
