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Icons and Power
Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.
Prisoners of the Japanese
Between December 1941 and May 1942, the Japanese army took more than 130,000 allied prisoners of war, more than a quarter did not survive their imprisonment. Here, Bourke analyses the major novels and films of the prisoners-of-war experience under the Japanese and uncovers the extent to which these fictions have influenced our beliefs.
The French Fetish from Chaucer to Shakespeare
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman Conquest. Drawing upon theories of gender and postcoloniality, this book revises traditional notions of English literary history by inserting France as a primary element in English self-fashioning, from Chaucer's Prioress to Shakespeare's Henry V.
Jewish Theatre
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
The Compostela Conspiracy
This is an investigative novel that starts by asking the simple but pertinent question: since there are no sources whatsoever testifying that the saint, or his remains were in Spain, then who invented all this, and why? I became interested in this issue after having read a tiny sentence in the official history book of St. James, which casually states that the Cathedral of Compostela lost the relics of St. James for nearly three hundred years, from 1588 to 1879. Lose the most important relics in Christendom? I surmised that they didn’t lose them, because they never had them in the first place. That also would despatch the implausible tale of how the saint’s remains had travelled by stone ...
Literatures of War
“The most terrible disaster that one group of human beings can inflict on another is war. Wars cause misery on an indescribable scale. Yet we go on doing it to one another, generation after generation. Why? Warfare is a recurrent and universal characteristic of human existence. The mythologies of practically all peoples abound in wars and the superhuman deeds of warriors, and pre-literate communities apparently delighted in the recital of stories about battles. Since our species became literate a mere 5,000 years ago, written history has mostly been the history of wars. Thousands who knew war evidently sickened of it and dreamt of lasting peace, expressing their vision in literature and ar...
Novelists in Conflict
This volume represents the first in-depth English-language study of the French combat novel of the Great War, an immensely popular genre at the time which includes influential texts such as Henri Barbusse’s Le Feu and Roland Dorgelès’s Les Croix de bois. It explores through these works, and less well-known but equally popular patriotic novels of the period, the effect that experiencing war has upon the writer’s understanding of the world, arguing that, in their depiction of conflict, these writers demonstrate a decidedly complex and modernist understanding of humanity’s place in the world. In particular, the author examines the French combat novel’s evocation of a world where a sense of the Absurd vies with the novelist’s desire to re-impose order through a particular political understanding of the Great War itself, be it in the form of revolutionary socialism, French nationalism, or humanism. In this way, this volume contends, ideology becomes a force for responding to and countering the sense of contingency that characterises the human experience of combat. It will be of interest to scholars of twentieth-century French fiction and thought.
The Development of the Sonnet
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Culture, Northern Ireland, and the Second World War
Culture, Northern Ireland, and the Second World War presents a new cultural history of Northern Ireland during and after the Second World War, examining the often-neglected period before the onset of the Troubles and exploring work by the generation of artists and writers that preceded Seamus Heaney and his contemporaries.
