You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
He explores each kind of linking, with attention paid to the popular topographical sequence (a subsequence to the philosophical) and emphasis on the lyric, as the most historically important.
In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante.
In The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French dits amoureux); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian Roman de Fergus, as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Centering on the difficult and important subject of medieval rape culture, this book brings Middle English and Scots texts into conversation with contemporary discourses on sexual assault and the #MeToo movement. The book explores the topic in the late medieval lyric genre known as the pastourelle and in related literary works, including chivalric romance, devotional lyric, saints’ lives, and the works of major authors such as Margery Kempe and William Dunbar. By engaging issues that are important to feminist activism today—the gray areas of sexual consent, the enduring myth of false rape allegations, and the emancipatory potential of writing about survival—this volume demonstrates how...
Drawn from papers given at an international conference held in 1999, this collection of essays offers new perspectives on Scots poetry of the late Middle Ages and early modern period. It includes essays on major poets, such as John Barbour, Robert Henryson, David Lyndsay and William Drummond; it also considers less famous writers such as John Bellenden and John Stewart of Baldynneis. Across these tightly focused essays, two themes predominate: the first is the imagined relationship between writer and reader, revealing a consistent concern with interpretation in Older Scots writing; the second is the place of literary influence, whether that too is Scots or from beyond Scotland’s borders. This volume will be of interest to all academics and students with an interest in Older Scots writing; it will also have some appeal for scholars working in late medieval and early modern literature more generally.
This collection of articles is the result of an interdisciplinary Medieval Studies conference held at the University of Sheffield in 2009. Brutality and aggression were a stark reality of everyday life in the Middle Ages; from individual rebellions through family feuds to epic wars, a history of medieval warfare could easily be read as a history of medieval violence. This volume goes beyond such an analysis by illustrating just how pervasive the nature of war could be, influencing not only medieval historiography and chronicle tradition, but also other disciplines such as art, architecture, literature and law. The overarching and multi-faceted themes bring together both iconic aspects of medieval warfare such as armour and the Crusades, as well as taking in the richness of textual traditions and matters of crucial importance at the time—the justification for war and the means by which peace can be re-established.
The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräs...
An account of European knowledge of the natural world, c.1500-1700.
Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge ou...