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If You Can Cut, You Can Collage
If You Can Cut, You Can Collage is specially designed for people who feel like they can't make art. Want to know a secret? You can You just need a little inspiration, instruction, and confidence. Collage is a wonderful creative outlet, particularly for people who want to make art, but don't feel they have the skills or confidence for other endeavors. You can still explore and experiment with color, composition, and various themes and end up with exciting and often unexpected results. If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show you the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects. We'll get you started with simple, focused, projects like making a collage with only circles, where you'll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You'll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time
If You Can Cut, You Can Collage
If You Can Cut, You Can Collage is specially designed for people who feel like they can't make art. Want to know a secret? You can! You just need a little inspiration, instruction, and confidence. Collage is a wonderful creative outlet, particularly for people who want to make art, but don’t feel they have the skills or confidence for other endeavors. You can still explore and experiment with color, composition, and various themes and end up with exciting and often unexpected results. If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show you the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects. We’ll get you started with simple, focused, projects like making a collage with only circles, where you’ll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You’ll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time!
Paper Cut
"Paper Cut" is a unique perspective into one of the most exciting fields of contemporary illustration. With contributions from 30 of the top papercraft illustrators, showcasing their amazing works and delving into their craft, this book will awe and inspire you. Author Owen Gildersleeve explores why these artists love papercraft, how they use it and what makes their work unique. See their ideas, inspirations and process in 250 full color photos that includes a range of interesting textured colored paper stocks dotted throughout. See exclusive works from designers like Chrissie MacDonald, Hattie Newman, Peter Callesen, Kyle Bean Helen Friel, Rob Ryan, Jeff Nishinaka and more!
Disrupted Realism
Disrupted Realism is the first book to survey the works of contemporary painters who are challenging and reshaping the tradition of Realism. Helping art lovers, collectors, and artists approach and understand this compelling new phenomenon, it includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Widely published author and blogger John Seed, who believes that we are "the most distracted society in the history of the world," has selected artists he sees as visionaries in this developing movement. The artists' impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process. Six sections lay out and analyze common themes: "Toward Abstraction," "Disrupted Bodies," "Emotions and Identities," "Myths and Visions," "Patterns, Planes, and Formations," and "Between Painting and Photography." Interviews with each artist offer additional insight into some of the most incisive and relevant painting being created today.
Basic Human Anatomy
A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy teaches artists the simple yet powerful formula artists have used for centuries to draw the human figure from the inside out. Osti, using the basic system of line, shape, and form used by da Vinci, Raphael, and Michelangelo, takes readers step-by-step through all the lessons needed in order to master this essential foundation skill. Organized progressively, the book shows readers how to replicate the underlying structure of the body using easy-to-understand scales and ratios; conceptualize the front and side views of the skeleton with basic shapes; add detail with simplified depictions of complex bones and joints; draw a muscle map of the body with volumetric form and realistic dimension; master the feet, hands, and skull to create realistic renderings of the human form; and apply a deeper knowledge of anatomy to finished drawings for more impact.
Magic of the Gargoyles
To help a baby gargoyle, Mika will risk everything... "I freaking love this book! ...All I can say is I think you should read this." (Happy Tails and Tales ★★★★★) Mika Stillwater is a midlevel earth elemental with ambitions of becoming a quartz artisan, and her hard work is starting to get noticed. But when a panicked baby gargoyle bursts into her studio, insisting Mika is the only person she'll trust with her desperate mission, Mika's carefully constructed five-year plan is shattered. Swept into the gritty criminal underworld of Terra Haven, Mika must jeopardize everything she's worked so hard for to save the baby gargoyle from the machinations of a monster—and to stay alive... ...
Mixed Media Color Studio
Starting with a strong foundation in color theory and principles, Mixed Media Color Workshop shows you how to effortlessly create beautiful mixed-media art and make more effective and satisfying decisions each time you create, resulting in artwork you’ll love.
Eli, No!
Eli is a sweet black dog with a knack for getting into huge messes. He makes his disastrous way through the house and the yard, at every turn disobeying his owners, who each time repeat with mounting exasperation, “Eli, no!” At the end of the day, there’s only one important question left to answer: Do his owners still love him? Of course, in this case the answer is “Eli, yes!” Eli and his antics are depicted in clean, graphic spreads with a fresh and modern palette. Readers will enjoy adding their voices to the call of “Eli, no!”
Film Lighting
Newly revised and updated, Film Lighting is an indispensible sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry. Film lighting is a living, dynamic art influenced by new technologies and the changing styles of leading cinematographers. A combination of state-of-the-art technology and in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to create a certain atmosphere. Kris Malkiewicz uses firsthand material from the experts he interviewed while researching this book. Among these are leading cinematographers Dion Beebe, Russell Carpenter, Caleb Deschanel, Robert Elswit, Mauro Fiore, Adam Holender, Janusz Kaminski, Matthew Libatique, Rodrigo Prieto, Harris Savides, Dante Spinotti, and Vilmos Zsigmond. This updated version of Film Lighting fills a growing need in the industry and will be a perennial, invaluable resource.
The Photography Teacher's Handbook
The Photography Teacher’s Handbook is an educator’s resource for developing active, flipped learning environments in and out of the photo classroom, featuring ready-to-use methods to increase student engagement and motivation. Using the latest research on the cognitive science of effective learning, this book presents groundbreaking strategies to inspire students to collaborate, explore, and internalize photographic principles and concepts. The innovative practices in this book reimagine the traditional, scholarly pedagogy into a dynamic, teacher-guided, learner-centered approach. Key features include: Step-by-step instructions that explain how and why to flip a photography classroom Hands-on exercises and activities to help students take charge of their learning experience Practical advice from more than 100 respected photography educators An interactive companion website with informative videos, links, and resources for students and educators alike
