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Homère
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Homeric Questions
Contents: Ruijgh, C.J.: D'Homère aux origines proto-mycéniennes de la tradition épique. Analyse dialectologique du lange homérique, avec un excursus sur la création de l'alphabet grec. Bakker, E.J.: Noun-epithet Formulas, Milman Parry, and the Grammar of Poetry. Jong, I.J.F. de: Homer as Literature: Some Current Areas of Research. Wees, H. van: Princes at Dinner: Social Event and Social Structure in Homer. Singor, H.W.: Eni Prôtoisi Machesthai: Some Remarks on the Iliadic Image of the Battlefield. Crielaard, J.P.: Homer, History and Archaeology: Some Remarks on the Date of the Homeric World. Stampolidis, N.C.: Homer and the Cremation Burials of Eleutherna. Crouwel, J.H.: Chariots in Homer and in Early Iron Age Greece. Crielaard, J.P.: A 'Dutch' Discoverer of Homer's Tomb.
The Stranger's Welcome
For more than two millennia, Homer's poetry has stirred the imagination of its readers. Originally recited by traveling bards, these poems are exceptionally rich in conventional elements that helped the poets remember works thousands of lines long. As dynamic ingredients of oral poetry, these elements have accrued deep meaning, and for a well-informed audience they call significant associations to mind. In The Stranger's Welcome, Steve Reece treats eighteen "hospitality" scenes in the Iliad, the Odyssey, and the Homeric Hymns and reveals key aspects and standard elements of such scenes. Further, he demonstrates how Homeric listeners might comprehend the new and innovative by relying on their knowledge of the conventional and familiar. This tension between conventional and innovative, between the traditional background and the individual performance, distinguishes the aesthetics of Homeric poetry. Of interest to students and scholars of oral poetry, folklore, Homeric literature, and Greek literature in general, The Stranger's Welcome offers a practical approach whereby a reading audience may understand a hearing one.
Homeric Rhythm
In a follow-up to his previous Homeric studies, noted classicist Paolo Vivante explores Homer's verse, highlighting rhythm rather than metre. Rhythmical qualities, he argues, constitute the force of the verse—for example, in the way the words take position and in the way each pause hints suspense, producing an immediate sense of time. Vivante's main concern is not with the techniques or rules of the verse-composition, but more philosophically with verse itself as a fundamental form of human expression. This study will be of interest to both students and scholars.
The Making of Homeric Verse
This volume collects for the first time the works--articles, M.A. thesis, dissertations, and journal extracts--of Milman Parry, whose death at thirty-three brought to a precipitous end the career of one of the leading classical scholars of our century.
L'Odyssée d'Homere
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Homeric Seafaring
In this comprehensive history of Homer’s references to ships and seafaring, author Samuel Mark reveals patterns in the way that Greeks built ships and approached the sea between 850 and 750 b.c. To discuss and clarify the terms used by Homer, Mark draws on scholarly literature as well as examples from recent excavations of ancient shipwrecks. Mark begins by emphasizing the importance of the household during a period in which chiefs ruled and Greek nobles disdained merchants and considered seafaring a necessary but less than distinguished activity. His chapter on Odysseus’s construction of a ship includes discussions of the types of wood used. He concludes that most Greek ships were of la...
