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The Second World War in Eastern Europe is far from a neglected topic, especially since social, cultural, and diplomatic historians have entered a field previously dominated by operational histories, and produced a cornucopia of new scholarship offering a more nuanced picture from both sides of the front. However, until now, the story has still been disjointed and specialized, whereby military, social, economic, and diplomatic histories continue to give their own separate accounts. This collection of essays attempts to bring these themes into a more cohesive whole that tells a complex, multifaceted story of war on the Eastern Front as it truly was. This is one of the few critical examinations...
Artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War, seeking instead to instill the medium with experimental and avant-garde tendencies commonly associated with the visual arts. This book addresses this transformation.
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In Beyond Return, Lucas Hollister examines the political orientations of fictions which 'return' to forms that have often been considered sub-literary, regressive, outdated or decadent, and suggests new ways of reading contemporary adventure novels, radical noir novels, postmodernist mysteries, war novels and dystopian fictions.
This accessible textbook offers students the opportunity to explore for themselves a wide range of sociolinguistic issues relating to the French language and its role in societies around the world. It is written for undergraduate students who have a sound practical knowledge of French but who has little or no knowledge of linguistics or sociolinguistics. It combines text with practical exercises and discussion questions to stimulate readers to think for themselves and to tackle specific problems. In Part One Rodney Ball looks at the diversity of the French-speaking world and the function of French in particular countries and regions, including Switzerland, Belgium and Canada. He explores its...
Whereas in English-speaking countries comics are for children or adults ‘who should know better’, in France and Belgium the form is recognized as the ‘Ninth Art’ and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane.
The fourth volume in a history of photography, this is a bibliography of books on the subject.
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