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Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Fresh critical reading of Goethe's important novel, challenging orthodox scholarship. In this new reading of Goethe's most influential novel Blair's close attention to the text brings startling insights to light, often taking issue with received critical opinions. He shows, for example, that Goethe slyly introducedmaterial full of low-cultural, subversive vitality that mocks conservative, authoritarian power interested in conformity or propriety. The novel does not just find fault with developments of the late Enlightenment but rather seductively describes loci of resistance to them: the marketplace, the travelling theatre, the Hanswurst. Equally, the author argues that although 'high' aesthetics, morals, institutions and rationality are impugned, they are not completely discredited: the problem with such high principles is demonstrated as being their tendency to present themselves as the only valid voice.
This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful p...
This book explores epistolary fiction as a major phenomenon across Europe from the Renaissance to the nineteenth century.
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philo...
The "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of ...
A fascinating cultural studies account of the "afterlife" of Leichhardt, revealing both German entanglement in British colonialism in Australia, and in a broader sense, what happens when we maintain an open stance to the ghosts of the past.
The prospect of increasing longevity has turned aging and old age into a topic of concern in Western societies. The discourse of age and the proliferation of narrative in contemporary media culture both transgress disciplinary boundaries. Addressing the "narratives of life" from different disciplinary angles this volume aims to explore the scope of a narrative gerontology. Aging and the stories that are told about it or from within are transnational and transcultural phenomena. While aging is thus a universal process, attention is also drawn to the categories of difference that it evokes: Historical, social and cultural differences as well as gender differences.
This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today.