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An Armenian Mediterranean
This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.
Roving Revolutionaries
Three of the formative revolutions that shook the early twentieth-century world occurred almost simultaneously in regions bordering each other. Though the Russian, Iranian, and Young Turk Revolutions all exploded between 1904 and 1911, they have never been studied through their linkages until now. Roving Revolutionaries probes the interconnected aspects of these three revolutions through the involvement of Armenian revolutionaries whose movements and participation within these empires (where Armenians were minorities) and across frontiers tell us a great deal about the global transformations that were taking shape. Exploring the geographical and ideological boundary crossings that occurred, Houri Berberian’s archivally grounded analysis of the circulation of revolutionaries, ideas, and print tells the story of peoples and ideologies amid upheaval and collaboration. In doing so, it illuminates our understanding of revolutions and movements.
The Art of the Crusaders in the Holy Land, 1098-1187
The Art of the Crusaders in the Holy Land, 1098-1187 examines the art and architecture produced for the Crusaders in Syria-Palestine during the first century of their quest to recapture Jerusalem. Commissioned by kings and queens, patriarchs and bishops, knights and merchants, who came as pilgrims or settlers to the Holy Land, it is an art of manuscript illumination, fresco painting, mosaics, stone sculpture, metalwork, ivory carving, coins and seals by artists trained in the Latin West, and the Byzantine and Islamic East. Combining the stylistic and iconographic traditions of these regions, Crusader art defies easy categorization: indeed, it is a unique phenomenon within the spectrum of medieval art.
The Experience of Crusading
A collection of essays focusing on the history and politics of the Latin East.
The Armenian Americans
Discusses the history, culture, and religion of the Armenians, factors encouraging their emigration, and their acceptance as an ethnic group in North America.
Looking Toward Ararat
As a new independent Republic of Armenia is established among the ruins of the Soviet Union, Armenians are rethinking their history—the processes by which they arrived at statehood in a small part of their historic homeland, and the definitions they might give to boundaries of their nation. Both a victim and a beneficiary of rival empires, Armenia experienced a complex evolution as a divided or an erased polity with a widespread diaspora. Ronald Grigor Suny traces the cultural and social transformations and interventions that created a new sense of Armenian nationality in the nineteenth and twentieth centuries. Perceptions of antiquity and uniqueness combined in the popular imagination with the experiences of dispersion, genocide, and regeneration to forge an Armenian nation in Transcaucasia. Suny shows that while the limits of Armenia at times excluded the diaspora, now, at a time of state renewal, the boundaries have been expanded to include Armenians who live beyond the borders of the republic.
