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Roving Revolutionaries
Three of the formative revolutions that shook the early twentieth-century world occurred almost simultaneously in regions bordering each other. Though the Russian, Iranian, and Young Turk Revolutions all exploded between 1904 and 1911, they have never been studied through their linkages until now. Roving Revolutionaries probes the interconnected aspects of these three revolutions through the involvement of Armenian revolutionaries whose movements and participation within these empires (where Armenians were minorities) and across frontiers tell us a great deal about the global transformations that were taking shape. Exploring the geographical and ideological boundary crossings that occurred, Houri Berberian’s archivally grounded analysis of the circulation of revolutionaries, ideas, and print tells the story of peoples and ideologies amid upheaval and collaboration. In doing so, it illuminates our understanding of revolutions and movements.
Remembrance and Denial
A fresh look at the forgotten genocide of world history. The Armenian Genocide that began in World War I, during the drive to transform the plural Ottoman Empire into a monoethnic Turkey, removed a people from its homeland and erased most evidence of their 3000-year-old material and spiritual culture. For the rest of this century, changing world events, calculated silence, and active suppression of memory have overshadowed the initial global outrage and have threatened to make this calamity "the forgotten genocide" of world history. Fourteen leading scholars here examine the Armenian Genocide from a variety of perspectives to refute those efforts and show how remembrance and denial have shaped perceptions of the event. Many of the chapters draw on archival records and court proceedings to review the precursors and process of the genocide, examine German complicity, and share the responses of victims, perpetrators, and bystanders.
The Armenian Woman, Minoritarian Agency, and the Making of Iranian Modernity, 1860–1979
With this book, Houri Berberian and Talinn Grigor offer the first history of Armenian women in modern Iran. Foregrounding the work of Armenian women's organizations, the authors trace minoritarian politics and the shifting relationships among doubly minoritized Armenian female subjects, Iran's central nodes of power, and the Irano-Armenian patriarchal institutions of church and political parties. Engaging broader considerations around modernization, nationalism, and feminism, this book makes a conceptually rich contribution to how we think about the history of women and minoritized peoples. Berberian and Grigor read archival, textual, visual, and oral history sources together and against one another to challenge conventional notions of "the archive" and transform silences and absences into audible and visual presences. Understanding minoritarian politics as formulated by women through their various forms of public and intellectual activisms, this book provides a groundbreaking intervention in Iran's history of modernization, Armenian diasporic history, and Iranian and Armenian feminist historiography.
The Indigenous Lens?
The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions have, and which specific functions did photography meet since its introduction? This collective volume deals with examples from Iran, the Ottoman Empire, and the Arab lands and with the question of local specifics, or an „indigenous lens." The contributions broach the issues of regional histories of photography, local photographers, specific themes and practices, and historical collections in these countries. They offer, for the first time in book form, a cross-section through a developing field of the history of photography.
An Armenian Mediterranean
This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.
The Disabled Child
When children are born with disabilities or become disabled in childhood, parents often experience bewilderment: they find themselves unexpectedly in another world, without a roadmap, without community, and without narratives to make sense of their experiences. The Disabled Child: Memoirs of a Normal Future tracks the narratives that have emerged from the community of parent-memoirists who, since the 1980s, have written in resistance of their children’s exclusion from culture. Though the disabilities represented in the genre are diverse, the memoirs share a number of remarkable similarities; they are generally written by white, heterosexual, middle or upper-middle class, ablebodied parents...
Encyclopedia of Women and Islamic Cultures
Family, Law and Politics, Volume II of the Encyclopedia of Women & Islamic Cultures, brings together over 360 entries on women, family, law, politics, and Islamic cultures around the world.
My Name on His Tongue
This unique collection of poetry reaches out to readers of all kinds, offering the compelling voice of a woman who grew up and lived in the United State as an Arab and an American.
A History of Armenian Women's Writing, 1880-1922
A History of Armenian Womenâ (TM)s Writing: 1880-1921 introduces the reader to the wealth and diversity of womenâ (TM)s writing in Armenian in the late nineteenth and early twentieth centuries. The volume focuses on six Armenian women writers-Srpouhi Dussap, Sibyl, Mariam Khatisian, Marie Beylerian, Shushanik Kurghinian and Zabel Yesayian and these authorsâ (TM) novels, short stories, poems and essays. The study contends that Western and Eastern Armenian women writers, while not displaying a uniformity of opinion and vision, nevertheless found inspiration in the activism, writings and arguments of one another and form a literary genealogy of womenâ (TM)s writing in Armenian. The study ha...
Iranian Cosmopolitanism
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran's citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran's experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.
