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From critically acclaimed Shaun David Hutchinson comes a “gripping, dynamic” (Booklist, starred review) portrayal of the oftentimes traumatic experience of growing up. Virgil Knox was attacked by a monster. Of course, no one in Merritt believes him. Not even after he stumbled into the busy town center, bleeding, battered, and bruised, for everyone to see. He’d been drinking, they said. He was hanging out where he wasn’t supposed to, they said. It must’ve been a bear, or a badger, or a gator—definitely no monster. Virgil doesn’t think it was any of those things. He’s positive it was a monster. But being the new kid in a town where everybody knows everybody is hard enough as it is without being the kid who’s afraid of monsters, so he tries to keep a low profile. Except he knows the monster is still out there. And if he isn’t careful, Virgil’s afraid it’ll come back to finish him off, or worse—that he’ll become one himself.
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This book provides an introduction to compositional semantics and to the syntax/semantics interface. It is rooted within the tradition of model theoretic semantics, and develops an explicit fragment of both the syntax and semantics of a rich portion of English. Professor Jacobson adopts a Direct Compositionality approach, whereby the syntax builds the expressions while the semantics simultaneously assigns each a model-theoretic interpretation. Alongside this approach, the author also presents a competing view that makes use of an intermediate level, Logical Form. She develops parallel treatments of a variety of phenomena from both points of view with detailed comparisons. The book begins wit...
This book presents a catalogue of those matriculated or admitted to any degree in the University of Cambridge from 1544 to 1659.
Cindy's brother is taken away by a ghost. Sally, Adam, and Watch promise to bring him back.