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Female Rule in Chinese and English Literary Utopias
Qingyun Wu's work is a unique discovery in literary studies in the West. Chinese utopian literature paired with its English counterparts form an original and valuable contribution to world literature. In widely varying historical and cultural texts that span the last five centuries, Wu analyzes the theme of female rule, including a critique of patriarchy and emphasizing a vision for women. To date, Chinese utopias have been insufficiently explored and unavailable to Western scholars. Wu's theories of the politics of female rule, as seen in Chinese and English literature since the end of the sixteenth century, are predicated on three significant changes that have taken place during those peri...
Nativism Overseas
This book examines five of the most influential Chinese-born women writers of the post-war era: Nie Hualing, Yu Lihua, Chen Ruoxi, Li Li, and Zhong Xiaoyang. They have become a dominating force in Chinese literature today, although they presently reside outside their homeland. This book raises a clear and consistent voice in line with the literature of exile and self discovery. As these writers talk of the rootthe self, and their social, cultural, and historical identities their varied voices share the unique characteristics of the literature of exile. These women, who continue to write in their native language, envision themselves as the literary mediators between their lost past an...
Chinese Literature in the Second Half of a Modern Century
"... an important contribution to the study of recent Chinese literature." -- Choice "This fine, scholarly survey of Chinese literature since 1949... discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." -- Library Journal This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.
Contested Modernities in Chinese Literature
This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.
Historical Dictionary of Modern Chinese Literature
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and m...
Biographical Dictionary of Chinese Women: v. 2: Twentieth Century
The first biographical dictionary in any Western language devoted solely to Chinese women, Biographical Dictionary of Chinese Women is the product of years of research, translation, and writing by scores of China scholars from around the world. Volume II: Twentieth Century includes a far greater range of women than would have been previously possible because of the enormous amount of historical material and scholarly research that has become available recently. They include scientists, businesswomen, sportswomen, military officers, writers, scholars, revolutionary heroines, politicians, musicians, opera stars, film stars, artists, educators, nuns, and more.
Homemaking
First published in 1996. The present volume, Homemaking: Women Writers and the Politics and Poetics of Home, enters the critical discourse on gender by way of two of its most pressing issues: the politics of women’s locations at the end of the twentieth century, and the division ofexperience into public and private. That the emergence of systematicfeminist thought in the west coincided with the invention of "privatelife" should not surprise us. Feminist thinkers from Mary Wollstonecrofton were quick to realize that the designation of the public and theprivate, male and female, was key to the subordination of women.
Beyond Chinatown
- A sweeping study of Chinese migration past and present - Highlights the growing pride in their roots among ex-pat Chinese - Of vital interest to migration scholars, but also to the Chinese diaspora and to anyone interested in the issues of migration today A bachelor society, men brought in by the shipload to labour in harsh, slave-like conditions, often for decades. Aliens despised and feared by their hosts. The hope: to return home as rich men. This was the exceptional and ambivalent nature of much of Chinese migration in the 19th and early 20th centuries--quite different in nature to the permanent migration of families and individuals from Europe to the New World at that same time. But s...
Diasporic Representations
In Diasporic Representations, author Pin-chia Feng examines the stratification of various diasporic subjectivities through close reading fiction by Chinese American women writers of different social and class backgrounds. Deploying a strategy of "attentive reading", Feng engages the intersecting issues of historicity, spatiality, and bodily imagination from diasporic and feminist perspectives to illuminate the dynamics of deterritorialization and reterritorialization in Chinese American novels in this transnational age. The authors studied include Diana Chang, Edith Eaton, Yan Geling, Nieh Hualing, Gish Jen, Shirley Geok-lin Lim, Aimee Liu, Fae Myenne Ng, Sigrid Nunez, Han Suyin, and Amy Tan.
New Culture in a New World
During the 1920s, China's intellectuals called for a new literature, system of thought and orientation towards modern life: the May Fourth Movement or the New Culture Movement spilled beyond China to the overseas Chinese communities. This work analyzes the New Culture Movement from a diaspora perspective of the overseas Chinese in Singapore.
