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De Jiao - A Religious Movement in Contemporary China and Overseas
De Jiao ("Teaching of Virtue") is a China-born religious movement, based on spirit-writing and rooted in the tradition of the "halls for good deeds," which emerged in Chaozhou during the Sino-Japanese war. The book relates the fascinating process of its spread throughout Southeast Asia in the 1950s, and, more recently, from Thailand and Malaysia to post-Maoist China and the global world. Through a richly-documented multi-site ethnography of De Jiao congregations in the PRC, Hong Kong, Singapore, Malaysia, and Thailand, Bernard Formoso offers valuable insights into the adaptation of Overseas Chinese to sharply contrasted national polities, and the projective identity they build with relation ...
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Hua, a Papuan Language of the Eastern Highlands of New Guinea
There is no country in the world where as many different languages are spoken as in New Guinea, approximately a fifth of the languages in the world. Most of these so-called Papuan languages seem to be unrelated to languages spoken elsewhere. The present work is the first truly comprehensive study of such a language, Hua. The chief typological peculiarity of Hua is the existence of a 'medial verb'construction used to conjoin clauses in compound and complex sentences. Hua also shows a fundamental morphological distinction between coordinate and subordinate medial clauses, the latter are not 'tense-iconic', the events they describe are not necessarily prior to the event described in later claus...
I became the master of a clan
A complete picture scroll slowly emerged in his mind, and the seal in the lower right corner of the picture scroll was immediately recognized by him, which was the half he got. But at this time, the picture scroll has been completed, but the words on it have disappeared, leaving only a blank scroll
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911).
Intoxicating Manchuria
Intoxicating Manchuria reveals how the powerful alcohol and opium industries in Northeast China were altered by warlord rule, Japanese occupation, political conflict, and a vigorous anti-intoxicant movement. Through the lens of the Chinese media’s depictions of alcohol and opium, Norman Smith examines how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in the portrayal of intoxicants, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
Ge lian hua ying
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Hua ge tong xun
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