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Toward the North
Toward the North is the first anthology of thirteen short fiction pieces written and translated by Chinese-Canadian writers during the last two decades, each of which depicts the contemporary lives of new Chinese immigrants to Canada, and illustrates newcomers' perspectives of multicultural Canada. The theme of the anthology is Chinese transnational and cross-cultural life experience. A fundamental concern shared by most of the authors is to redefine their characters' cultural identity in their acculturation across times and space. In these stories, the exploration of the relationship between Chinese immigrants and Canadians extends beyond "yellow"/"white" binary model, revealing interactions between the Chinese and other ethnic communities. Struggles between cultural assimilation and resistance are vividly and captivatedly portrayed. The authors' approaches to their characters' life experience of culture's in-between displays an intriguing diversity both in content and in styles.
Toward the North
"Toward the North is the first anthology of thirteen short fiction pieces written and translated by Chinese-Canadian writers during the last two decades, each of which depicts the contemporary lives of new Chinese immigrants to Canada, and illustrates newcomers' perspectives of multicultural Canada. The theme of the anthology is Chinese transnational and cross-cultural life experience. A fundamental concern shared by most of the authors is to redefine their characters' cultural identity in their acculturation across times and space. In these stories, the exploration of the relationship between Chinese immigrants and Canadians extends beyond "yellow"/"white" binary model, revealing interactions between the Chinese and other ethnic communities. Struggles between cultural assimilation and resistance are vividly and captivatedly portrayed. The authors' approaches to their characters' life experience of culture's in-between displays an intriguing diversity both in content and in styles."--
Green Peony and the Rise of the Chinese Martial Arts Novel
Martial arts fiction has been synonymous with popular fiction in China from the Qing dynasty on. This book, the first to trace the early development of the martial arts novel in China, demonstrates that the genre took shape nearly a century earlier than generally recognized. Green Peony (1800), one of the earliest martial arts novels, lies at the center of a web of literary relations connecting many of the significant genres of fiction in its day. Adapted from a drum ballad, Green Peony parodies both previous popular fiction and the great Ming novels, generating humorous reflection on their values. By focusing on popular fiction and popular culture, Margaret B. Wan argues for the relevance of genre to literary criticism, the convergence of "popular" and "elite" fiction in the nineteenth century, and a general turn from didacticism to entertainment. Literary scholars, historians, and anyone who wishes to know more about Chinese popular culture in the Qing dynasty will benefit from reading this book.
The Indiana Companion to Traditional Chinese Literature
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
The Appropriation of Cultural Capital
"For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China’s literary past."
Stories Old and New
Stories Old and New is the first complete translation of Feng Menglong’s Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng’s three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as examples of early fiction and for their detailed depiction of daily life among a broad range of social classes. The stories are populated by scholars and courtesans, spirits and ghosts, Buddhist monks and nuns, pirates and emperors, and officials both virtuous and corrupt. The streets and abodes of late-Ming China...
Localizing Learning
As the first intellectual history of Song, Yuan, and Ming China written from a local perspective, Localizing Learning shows how literati learning in Wuzhou came to encompass examination studies, Neo-Confucian moral philosophy, historical and Classical scholarship, encyclopedic learnedness, and literary writing, and traces how debates over the relative value of moral cultivation, cultural accomplishment, and political service unfolded locally. The book is set in one locality, Wuzhou (later Jinhua), a prefecture in China’s Zhejiang province, from the twelfth through the sixteenth century. Its main actors are literati of the Song, Yuan, and Ming, who created a local tradition of learning as a...
Collecting the Self
Chinese strange tale collections contain short stories about ghosts and animal spirits, supra-human heroes and freaks, exotic lands and haunted homes, earthquake and floods, and other perceived “anomalies” to accepted cosmic and social norms. As such, this body of literature is a rich repository of Chinese myths, folklore, and unofficial “histories”. These collections also reflect Chinese attitudes towards normalcy and strangeness, perceptions of civilization and barbarism, and fantasies about self and other. Inspired in part by Freud’s theory of the uncanny, this book explores the emotive subtexts of late imperial strange tale collections to consider what these stories tell us about suppressed cultural anxieties, the construction of gender, and authorial self-identity.
That Wonderful Composite Called Author
Did East Asian literatures lack a concept of authorship before their integration into classical modernity? Distinguishing various author functions, which can be distributed among several individuals, this edited volume covers the whole spectrum from composite to individual forms of authorship.
The Margins of Becoming
"... this volume offers work on an array of cultural moments which express the liminal nature of Taiwan's cultural life on the fault-lines of Asia and the West. The chapters offer a snapshot of the limits of what counts as 'Taiwan' and what is becoming Taiwan studies." -- p. 18.
