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This innovative study explores how interpretations of religious art change when it is moved into a secular context.
This work chronicles the emergence of Hogarth the man and satirist, and sets his achievements in the context of his contemporaries such as Defoe, Swift and Pope.
Oscar Wilde called this collection of essays the "holy writ of beauty." Published to great acclaim in 1837, it examines the work of Renaissance artists such as Winckelmann and the then neglected Botticelli, and includes a celebrated discussion of the Mona Lisa in a study of Da Vinci. Thebook strongly influenced art students and aesthetes of the day and is still valuable for the insights it offers and the beauty of the writing.
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how...
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
The book discusses the form and contents of seventeenth- and early eighteenth-century travel journals and correspondence together with other aspects of tourism, such as transport, accommodation and sightseeing. It contains annotated texts by Edward Browne and John Locke written while on tour in Holland.
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.