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Spinosaurus
Brett Russell is a hunter of the rarest game. His targets are cryptids, animals denied by science. But they are well known by those living on the edges of civilization, where monsters attack and devour their animals and children and lay ruin to their shantytowns. When a shadowy organization sends Brett to the Congo in search of the legendary dinosaur cryptid Kasai Rex, he will face much more than a terrifying monster from the past. Spinosaurus is a dinosaur thriller packed with intrigue, action and giant prehistoric predators.
The Found World
A powerful global cabal wants adventurer Brett Russell to retrieve a superweapon stolen by the scientist who built it. To entice him to travel underneath one of the most dangerous volcanoes on Earth to find the scientist, this shadowy organization will pay him the only thing he cares about: information that will allow him to avenge his family's murder. But before he can get paid, he and his team must enter an underground hellscape of killer plants, giant insects, terrifying dinosaurs, and an army of other predators never previously seen by man. At the end of this journey awaits a revelation that could alter the fate of mankind ... if they can make it back from this horrifying found world.
Prehistoric Beasts and Where to Fight Them
IN THE DEPTHS, SOMETHING WAITS ... Acclaimed film director Jake Bentneus pilots a custom submersible to the bottom of Challenger Deep in the Pacific, the deepest point of any ocean of Earth. But something lurks at the hot hydrothermal vents, a creature-a dinosaur-too big to exist. Gigadon. It not only exists, but it follows him, hungrily, back to the surface. Later, a barely living Bentneus offers a $1 billion prize to anyone who can find and kill the monster. His best bet is renowned ichthyopaleontologist Sean Muir, who had predicted adapted dinosaurs lived at the bottom of the ocean. But Muir is in solitary confinement at a maximum security prison for the death of his wife on a dive meant ...
Vladimir Nabokov
This first major critical biography of Vladimir Nabokov, one of the greatest of twentieth-century writers, finally allows us full access to the dramatic details of his life and the depths of his art. An intensely private man, Nabokov was uprooted first by the Russian Revolution and then by World War II. Transformed into a permanent wanderer, he did not achieve fame until late in life, with the success of Lolita. In this first of two volumes, Brian Boyd vividly describes the liberal milieu of the aristocratic Nabokovs, their escape from Russia, Nabokov's education at Cambridge, and the murder of his father in Berlin. Boyd then turns to the years that Nabokov spent, impoverished, in Germany an...
Biography
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The Humour of Vladimir Nabokov
The first in-depth study of Vladimir Nabokov’s humour, investigating its physical aspects such as farce, slapstick, sexual and scatological humour Offers the first in-depth study of Nabokov’s humour Presents a revisionist reading of Nabokov Examines the metaphysical aspects of Nabokov’s humour Examines the sexual and scatological aspects of Nabokov’s humour Applies humour theory (e.g. those of Hobbes, Bergson, Freud) to Nabokov’s texts Compares Nabokov’s humour to that of his Russian predecessors (e.g. Pushkin, Gogol, Chekhov) and to literary humourists such as Rabelais, Swift, Joyce Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond o...
Nabokov at Cornell
Table of contents
Transatlantic Aliens
Examining hardboiled fiction through Flaubert, New Yorker cartoons through modernist painting, and Bette Davis through Hegel and Marx, Transatlantic Aliens challenges and changes the way we understand modernism's place in midcentury American culture.
That Other World
The foundational text for the acclaimed international best seller Reading Lolita in Tehran “Empathetic, incisive. . . . A sweeping overview of Nabokov's major works. . . . Graceful [and] discerning.”—Kirkus Reviews The ruler of a totalitarian state seeks validation from a former schoolmate, now the nation’s foremost thinker, in order to access a cultural cache alien to his regime. A literary critic provides commentary on an unfinished poem that both foretells the poet’s death and announces the critic’s secret identity as the king of a lost country. The greatest of Vladimir Nabokov’s enchanters—Humbert—is lost within the antithesis of a fairy story, in which Lolita does not ...
How We Found America
Until now, the East European canon in American literature has been dominated by male dissident figures such as Brodsky, Milosz, and Kundera. Magdalena Zaborowska challenges that canon by demonstrating the contributions of lesser-known immigrant and expatr
