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The Bone People
Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.
The Windeater
Te Kaihau / The Windeater is Keri Hulme's first book of short stories. It brings together 10 years of her writing. Many of the stories are new and are printed here for the first time. One story, 'A Drift in Dream' gives a pre-bone people glimpse of Simon and his parents. Table of contents: * Foreword: Tara Diptych * Kaibatsu-San * Swansong * King Bait * A Tally if the Souls of Sheep * One Whale, Singing * Planetesimal * Hooks and Feelers * He Tauware Kawa, He Kawa Tauware * The Knife and the stone * While My Guitar Gently Sings * A Nightsong for the Shining Cuckoo * The Cicadas of Summer * Kiteflying Party at Doctors' Point * Unnamed Islands in the Unknown Sea * Stations on the Way to Avalon * A Window Drunken in the Brain * A Drift in Dream * Te Kaihau / The Windeater * Afterword: Headnote to a Maui Tale.
Stonefish
Stonefish is a collection of short stories and poems by the only New Zealand writer to win the Pegasus Prize for M ori Literature and the Booker Prize. 'a The scallops arranged in the spider lambis were succulently decadent. A bottle of rare wine had been reduced to its essence and sprinkled over the raw bodies, and rough salt, and finely-chopped redware. The flush of the shell echoed visually the wine and the seaweed, and although there were but five scallops, they were truly sweet meat. The slices of mild green pepper were almost transparent, and they tangled artfully with shreds of young daikon, and pressure-steamed fragments of ti. Hot and crisp and oily-melting, a challenging blend. And the tea, as always, was Black Dragon tea, a hint of smoky coolness in the steam, and a consummation in the mouth. People died just to get it to these islands she had learned. She could think of many worse reasons to diea.'
The Silences Between
None
The Bone People
Kerewin, a part-Maori painter living in self-exile, is drawn out of her isolation by a mute boy who is cast up on a beach, the only survivor of a shipwreck.
Bait (Pb)
None
Strands
This second collection of poems by the Booker Prize-winning author of The Bone People is made up of three parts. The first poem, "Fishing the Olearia Tree," is a rich and moving exploration of natural processes. "Against Small Evil Voices" is a collection of chants, stories, and memories full of Maori elements and focused primarily on the strength of the family and the courage of women. Finally, "Winesongs" is a selection of more casual lyrics, attractive in expression and effortless in execution. Hulme's verse is loose, sometimes including passages of prose, but is shaped by a powerful romantic drive and a sophisticated attention to the behavior of language.
Potiki
Patricia Grace's classic novel is a work of spellbinding power in which the myths of older times are inextricably woven into the political realities of today. In a small coastal community threatened by developers who would ravage their lands it is a time of fear and confusion – and growing anger. The prophet child Tokowaru-i-te-Marama shares his people's struggles against bulldozers and fast money talk. When dramatic events menace the marae, his grief threatens to burst beyond the confines of his twisted body. His all-seeing eye looks forward to a strange and terrible new dawn. Potiki won the New Zealand Book Awards in 1987.
Grace is Gone
Billy Flower lives in the small mainly Maori town of Meridian. The fact he is irresistible to women is borne out by his twelve daughters, known about town as the Flower girls, all to different mothers. Grace is Gone centres on Billy's daughter Cherry, who has returned from overseas to Meridian after the break-up of her marriage to Bax, a British photojournalist. He'll be following her home soon, but for the moment Cherry has returned alone to lose herself in the loving world of her family. Then there's her old childhood friend Grace; she died some years ago, but that doesn't stop her putting in regular appearances throughout the novel. Grace is Gone, with its sprawling cast of characters, explores the relationships of an extended family of Maori women. Spot-on dialogue and lyrical description combine to create a novel that is richly subversive and funny as hell. This second novel by Kelly Ana Morey confirms the great promise shown with Bloom, which won the Hubert Church best first book award at the 2004 Montana Awards.
The Luminaries
The winner of the Man Booker Prize, this "expertly written, perfectly constructed" bestseller (The Guardian) is now a Starz miniseries. It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.
