Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Humor, Empathy, and Community in Twentieth-Century American Poetry
  • Language: en
  • Pages: 288

Humor, Empathy, and Community in Twentieth-Century American Poetry

Studies how American poets of the last hundred years have used laughter to promote recognition of shared humanity across difference.

Poems of Humor & Protest
  • Language: en
  • Pages: 56

Poems of Humor & Protest

  • Type: Book
  • -
  • Published: 1966
  • -
  • Publisher: Unknown

None

Humor in Modern American Poetry
  • Language: en
  • Pages: 241

Humor in Modern American Poetry

Modern poetry, at least according to the current consensus, is difficult and often depressing. But as Humor in Modern American Poetry shows, modern poetry is full of humorous moments, from comic verse published in popular magazines to the absurd juxtapositions of The Cantos. The essays in this collection show that humor is as essential to the serious work of William Carlos Williams as it is to the light verse of Phyllis McGinley. For the writers in this volume, the point of humor is not to provide “comic relief,” a brief counterpoint to the poem's more serious themes; humor is central to the poems' projects. These poets use humor to claim their own poetic authority; to re-define literary...

A Treasury of Humorous Poetry
  • Language: en
  • Pages: 508

A Treasury of Humorous Poetry

  • Type: Book
  • -
  • Published: 1902
  • -
  • Publisher: Unknown

None

The Oxford Illustrated Book of American Children's Poems
  • Language: en
  • Pages: 98

The Oxford Illustrated Book of American Children's Poems

An anthology of American poems, is arranged chronologically, from colonial alphabet rhymes to Native American cradle songs to contemporary poems. 50 illustrations, 20 in color.

The Three Einsteins
  • Language: en
  • Pages: 94

The Three Einsteins

  • Type: Book
  • -
  • Published: 2014
  • -
  • Publisher: Unknown

Poetry. "THE THREE EINSTEINS is the funniest book of poetry you may ever read. In it, Galvin proves she's Seattle's bright and ambling consciousness corporeal. She stands on top of its roofs and accidentally symbolizes things she doesn't understand. She eats the food its people leave behind on the streets. She makes poetry of its sex and violence, its glittering and dank districts. Not since Theodore Roethke has that city had so obvious a laureate." Rich Smith"

All-American Poem
  • Language: en
  • Pages: 112

All-American Poem

  • Type: Book
  • -
  • Published: 2008
  • -
  • Publisher: Unknown

All American Poem embraces the ecstatic nature of our daily lives. Introduction by Tony Hoagland.

Michael Rosen's Book of Very Silly Poems
  • Language: en
  • Pages: 97

Michael Rosen's Book of Very Silly Poems

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Penguin UK

A lively, funny anthology of nonsense verse, including some new poems by Michael Rosen. Age 8+ 64 pages

Laugh Lines
  • Language: en
  • Pages: 88

Laugh Lines

Humor in recent American poetry has been largely dismissed or ignored by scholars, due in part to a staid reverence for the lyric. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry argues that humor is not a superficial feature of a small subset, but instead an integral feature in a great deal of American poetry written since the 1950s. Rather than viewing poetry as a lofty, serious genre, Carrie Conners asks readers to consider poetry alongside another art form that has burgeoned in America since the 1950s: stand-up comedy. Both art forms use wit and laughter to rethink the world and the words used to describe it. Humor’s disruptive nature makes i...

Arrow
  • Language: en
  • Pages: 95

Arrow

Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one th...