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Taekwondo Kyorugi is the authority on taekwondo sparring. Written by Korean Olympic Gold Medallist Kuk Hyun Chung, WTF Deputy-Secretary General Kyung Myung Lee and renowned martial arts author Sang H Kim, it is a direct translation of the original Korean text. Learn the skills, drills, strategies and methods used by Korean coaches and competitors for years. Footwork, kicks, hand target drills, heavy bag workouts, coaching, combinations, strategy, professional training, opponent analysis, conditioning, weight control, competition tips, official Olympic rules, scientific analysis of scoring and more.
A wide-ranging analysis of modern South Korean cinema.
A variety of women relate Spirit-filled moments. In doing so, they invite you to consider the origins of your own spirituality and to deepen your relationship with God.
Minjung Theology is introduced here through theological biographical sketches of its main representatives. They formulated a protestant liberation theology under the South Korean military dictatorship of the 1970s and 80s. Their strong emphasis on the suffering (han) of the people (minjung) led them to the formulation of a genuine theology of the cross in Asia. Volker Küster explores the reception of Minjung Theology and raises the question what happened to it during the democratization process and the rise of globalization in the 1990s. Interpretations of art works by Minjung artists provide deep insights into these transformation processes. Prologue and epilogue abstract from the Korean case and offer a concise theory of contextual theology in an intercultural framework.
Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots. The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays b...
Chung Hyun Kyung electrified the 1991 World Council of Churches Assembly in Canberra with her vivid presentation of Christianity in an Asian context. After describing the historical and social context of Asian women's theology, Chung Hyun Kyung considers the questions with which Asian women are concerned. Who is Jesus for Asian women? Who is Mary for Asian women? What form should spirituality take for Asian women? Indeed what should their theology be?
This book represents a major contribution toward the development of a global feminist theology. The personal histories and experiences of women of African, Asian, Anglo-American, and Latin-American heritage recounted here make it possible to analyze the social and historical contexts of their Christian faith. Their insights into the lives of those who have been oppressed or excluded, in the Third World or in the United States, clear the way for understanding the partnership of men and women everywhere.
"Rosemary Radford Ruether's authoritative, award-winning critique of women's unequal standing in the church, which explored the complex history of redemption in evaluating conflict over the fundamental meaning of the Christian gospel for gender relations, is now in an updated and expanded edition. Ruether highlights women theologians' work to challenge the patriarchal paradigm of historical theology and to present redemption linked to the liberation of women. Ruether turns her attention to the situation of women globally and how the growing plurality of women's voices from multicultural and multireligious contexts articulates feminist liberation theology today." --Publisher description.
In 1916, a group of Korean farmers and their children gathered to watch a film depicting the enthronement of the Japanese emperor. For this screening, a unit of the colonial government’s news agency brought a projector and generator by train to their remote rural town. Before the formation of commercial moviegoing culture for colonial audiences in rural Korean towns, many films were sent to such towns and villages as propaganda. The colonial authorities, as well as later South Korean postcolonial state authorities, saw film as the most effective medium for disseminating their political messages. In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea was derived p...