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The Expulsion of the Moriscos from Spain
The expulsion of the Moriscos from Spain (1609-1614) represents an important episode of ethnic, political and religious cleansing which affected about 300,000 persons. The controversial measure was legimitized by an ideology of religious and political unity that served to defend the expulsion of them all, crypto-Muslims and sincere converts to Christianity alike. The first part focuses on the decision to expel the Moriscos, its historical context and the role of such institutions as the Vatican and the religious orders, and nations such as France, Italy, the Dutch Republic, Morocco and the Ottoman Empire. The second part studies the aftermath of the expulsion, the forced migrations, settlement and Diaspora of the Moriscos, comparing their vicissitudes with that of the Jewish conversos. Contributors are Youssef El Alaoui, Rafael Benítez Sánchez Blanco, Luis Fernando Bernabé Pons, Paulo Broggio, Miguel Ángel de Bunes Ibarra, Antonio Feros, Mercedes García-Arenal, Jorge Gil Herrera,Tijana Krstić, Sakina Missoum, Natalia Muchnik, Stefania Pastore, Juan Ignacio Pulido Serrano, James B. Tueller, Olatz Villanueva Zubizarreta, Bernard Vincent, and Gerard Wiegers.
Connecting Past and Present
In this volume, experts on the Spanish Golden Age from the United Kingdom, Ireland, and the United States offer analyses of contemporary works that have been influenced by the classics from the sixteenth and seventeenth centuries. Part of the formation of a sense of national identity, always a problematic concept in Spain, is founded in the recognition and appreciation of what has come beforehand, and no other era in the history of Spanish literature and drama represents the talent and fascination that Spaniards and non-Spaniards alike possess with the artistic legacy of this country. In order to establish properly a context for the study of literature or history, one cannot always study the...
Writing Captivity in the Early Modern Atlantic
Drawing on texts written by and about European and Euro-American captives in a variety of languages and genres, Lisa Voigt explores the role of captivity in the production of knowledge, identity, and authority in the early modern imperial world. The practice of captivity attests to the violence that infused relations between peoples of different faiths and cultures in an age of extraordinary religious divisiveness and imperial ambitions. But as Voigt demonstrates, tales of Christian captives among Muslims, Amerindians, and hostile European nations were not only exploited in order to emphasize cultural oppositions and geopolitical hostilities. Voigt's examination of Spanish, Portuguese, and E...
The Op-Ed Novel
The Op-Ed Novel follows a clutch of globally renowned Spanish novelists who swept into the political sphere via the pages of El País. Their literary sensibility transformed opinion journalism, and their weekly columns changed their novels, which became venues for speculative historical claims, partisan political projects, and intellectual argument.
The Conversos and Moriscos in Late Medieval Spain and Beyond
As the essays in this collection attest, the study of Converso and Morisco phenomena is not only important for those scholars focused on Spanish society and culture, but for academics everywhere interested in the issues of identity, Otherness, nationalism, religious intolerance and the challenges of modernity.
The Criminal Baroque
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
On Wolves and Sheep
With the rise of nationalism, and with it the nation-state in the fifteenth and sixteenth centuries, so arose new polemical issues. As the Spanish Empire expanded in the sixteenth century, theologians, jurists, artists and politicians commented on the morality and legitimacy of the imperial enterprise. With the increase in power of successive Spanish sovereigns from the Catholic Monarchs to Philip II (1556–98), followed by the decadence of the state through the reign of Charles II (1665–1700), political participants and observers alike put their thoughts on paper for mass dissemination. The study of epic poetry, poetry, drama, novels, rhetoric, imperial administrative documents and relig...
Social Justice in Spanish Golden Age Theater
This book explores early modern Spanish plays through the lens of social justice, extending its analysis to contemporary adaptations and how they can be used as a tool for achieving social justice today.
Drawing the Curtain
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
Cervantine Blackness
There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the le...
