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Thresholds of Meaning
'Thresholds of Meaning' offers evidence not only of a reprise and reworking of certain 'traditional' themes (family, heritage and history; memory and commemoration; the relationships between the generations, between the individual and the community), but also of a reinstatement of meaning at the centre of literary enquiry.
Fiction Now
Fiction Now reports on the current states of the novel in France, taking a series of soundings within the compass of innovative French writing since 2001. Chapters focus closely upon Jean Echenoz, Marie Redonnet, Christian Gailly, Lydie Salvayre, Gérard Gavarry, Hélène Lenoir, Patrick Lapeyre, and Christine Montalbetti. Each of the authors invoked exemplified in his or her work a different set of strategies, concerns, and approaches: one of them transposes the Book of Judith to the Parisian suburbs; another imagines the most taciturn of cowboys in the American West; still another goes well beyond death, into the afterlife of a concert pianist. Despite their diversity of theme and technique, these writers share a will to make French fiction new, and demonstrate compellingly that the novel as it is practiced in France today is an extremely vigorous, deeply enthralling, and richly plural cultural form.
The Cambridge Companion to French Literature
A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.
Repair the World
None
Contemporary Fiction in French
Demonstrates how contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation.
The Cambridge Introduction to French Literature
An engaging, highly accessible and informative introduction to French literature from the Middle Ages to the present.
L’écriture du bonheur dans le roman contemporain
Through the ages, the pursuit of Happiness has been at the heart of the needs and desires each individual would seek to fulfill, while as a concept, Happiness has always resonated strongly in poetic as well as philosophical, sociological and psychological contexts. But what about Happiness today, in a world dominated by technology, driven by productivity and dictated by efficiency? Does Happiness still feature in contemporary fiction in any significant way? Or has it perhaps gone underground, adopting different guises? Would we still call that “duty of happiness” that Pascal Bruckner saw as “present at the second half of the twentieth century” a relevant force today? Or has it waned ...
Fuzzy Fiction
An evaluation of the work of contemporary French authors through the lens of the fuzzy set theory of mathematics.
