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Full-length study of the warfare between England and Scotland in the mid fourteenth century. The Second Scottish War of Independence began in 1332, only four years after the previous conflict had ended. Fought once more for the continued freedom of Scotland from English conquest, the war also witnessed a revival of Scottish civil conflict as the Bruce-Balliol fight for the Scottish crown recommenced once more. Breaking out sporadically until peace was agreed in 1357, the Second Scottish War is a conflict that resides still in the shadow of that which preceded it: compared to the wars of William Wallace and Robert Bruce, Edward I and Edward II, this second phase of Anglo-Scottish warfare is n...
In England and Scotland at War, c.1296-c.1513, Andy King and David Simpkin bring together new perspectives on the Anglo-Scottish conflict from Dunbar to Flodden. The essays focus on the military history of the wars from both sides of the border.
Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime.
Described by the Rev. William Matheson as the 'the last of the native scholars', Dr John MacInnes is the foremost living authority on the oral tradition of the Scottish Highlands.
This is an appraisal of clanship both with respect to its vitality and its eventual demise, in which the author views clanship as a socio-economic, as well as a political agency, deriving its strength from personal obligations and mutual service between chiefs and gentry and their clansmen. Its demise is attributed to the throwing over of these personal obligations by the clan elite, not to legislation or central government repression. The book discusses the impact on the clans of the inevitable shift, with the passage of time, from feudalism to capitalism, regardless of the "Forty Five". It draws upon estate papers, family correspondence, financial compacts, social bonds and recorded oral tradition rather than the biased records of central government.
The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Máire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.
Fresh approaches to one of the most important poems from medieval Scotland. John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" so...
First runner-up for the 2019 Ray and Pat Browne Award for the Best Edited Collection in Popular and American Culture Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Provides for a historical perspective of Scotland's interaction with the world beyond its borders. As one of the most prolific historians of his generation, Allan I. Macinnes, Emeritus Professor of History at the University of Strathclyde, has been foremost in promoting an international rather than insular approach to the study of Scotland. In a distinguished career he has written extensively on the Scottish Highlands, the British revolutions, the formation of the United Kingdom, the Jacobite movement, and Scottish involvement in the British Empire. The chapters collected here reflect the extent of these interests and a commitment to understanding Scotland - or indeed, other territorial unit...
Essays throwing fresh light on what it was like to be a medieval soldier, drawing on archival research.