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The exclusive biography of the most famous man in Hollywood - both on and off-screen
A widely acclaimed biography of one of rock's most compelling, uncompromising and influential singer-songwriters, Ian Johnston's BAD SEED offers a superb overview of Nick Cave's career to date. Through Cave's fronting of the incendiary bands The Birthday Party and The Bad Seeds, producing music of unfettered expression and explosive intensity, to his creative collaborations outside of the rock industry in film and literature, BAD SEED illustrates a life lived in barely controlled chaos: and unravels the motivation and unique appeal of a reluctant icon whose songs, according to the Rolling Stones, possess "the authority of the most primal kind of myth."
Arguing about matters of public policy is ubiquitous in democracies. The ability to resolve conflicts through peaceful contestation is a measure of any well-ordered society. This book challenges the assumption that arguing is mere lip service with no real impact on the behavior of states or the structure of the international system.
Clint Eastwood is a unique figure in Hollywood: a self-made success who has risen from the popular appeal of his early TV series, Rawhide, via the Spaghetti westerns, to the superstar bracket of actor-producer-director. Eastwood's achievements as 'the man with no name' were matched by the success of his 'Dirty Harry' films, and since then he has added directorial greats - like Play Misty For Me, High Plains Drifter and Bronco Billy - to his credit. Iain Johnstone, who made a famous BBC TV profile of Eastwood, knows his subject well. The Man With No Name includes original interview material and nearly 200 revealing photographs which together make his book the most complete record of the world's number one box office star.
Laurie Milner reveals the remarkable single-mindedness and courage of the soldiers of Britain's present-day Army in the face of a numerically superior, well-equipped and well dug-in enemy, whose level of resistance could not be accurately assessed.
The launch in 1606 of HMS Dreadnought, the worlds's first all-big-gun battleship, rendered all existing battle fleets obsolete, but at the same time it wiped out the Royal Navy's numerical advantage, so expensively maintained for decades. Already locked in the same arms race with Germany, Britain urgently needed to build an entirely new battle fleet of these larger, more complex and more costly vessels In this she succeeded spectacularly; in little over a decade fifty such ships were completed, almost exactly double that of what Germany achieved It was only made possible by the companyÍs vast industrial nexus of shipbuilders, engine manufacturers, armament fleets and specialist armour produ...
Most books concerned with physics and music take an approach that puts physical theory before application. Consequently, these works tend to dampen aesthetic fascination with preludes burdened by an overabundance of algebraic formulae. In Measured Tones: The Interplay of Physics and Music Third Edition, Ian Johnston a professor of astrophysics and
This important collection analyses the changing context of China's relationship with Japan. Its eminent international contributors address core issues including strategic concerns; security; the issue of Taiwan; diplomacy; economic relations; trade; the role of firms and currency. The book brings together a wide range of perspectives to offer a rich and varied understanding of one of Asia's most crucial and complex relationships.
A Bridge Too Far, released in 1977, proved to be the last epic WWII movie made in the Hollywood studio system. Its ambitious goal: to recreate the doomed Allied plan called Operation Market-Garden in September 1944. Market-Garden' s goal was to surprise the Germans with a mammoth parachute drop behind their lines and bring a quick end to the war, but the plan became a disaster for the Allies, with the battle for the Arnhem bridge vicious as the “ Red Devils” of British First Airborne held out against overwhelming odds. Producer Joseph E. Levine packed his cast with the top stars of the 1970s, including Anthony Hopkins, Robert Redford, Sean Connery, James Caan, Michael Caine, Elliott Goul...
Some films are remembered long after they are released; others are soon forgotten, but do they deserve oblivion? Are factors other than quality involved? This book exhumes some of the films released in Britain over the last seventy years from Daybreak (1948) to 16 Years of Alcohol (2003), and considers the reasons for their neglect. As well as exploring the contributions of those involved in making the films, the book examines such issues as marketing and the response of critics and audiences. Films are grouped loosely into categories such as “B” films and television films. Some works were little seen when they were first released and have stayed that way; others were popular in their day, but have slipped into obscurity. In some cases, social change has overtaken them, making the attitudes or subjects they depict seem dated. Even being released as a DVD does not guarantee that a title will be rehabilitated. In addition, how significant is the American market? This book should appeal to lovers of British film, as well as to film studies students and everybody curious about the vagaries of success and failure in the arts.