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Broughty Ferry on the outskirts of Dundee grew from a small fishing village to one of the wealthiest places in the world during the 19th century. As a consequence, a lot of churches were built, 11 being within an area of about 800m by 500 m. In its 12 chapters the history of each of church is described, along with the BFCG*, and the YMCA. There is also a chapter on early Christian worship in the area. Besides explaining why each church is here, the chapters also describe the people who made up the church and the buildings. Several of these are listed buildings, and a number of the stained-glass windows are thought to be of national importance. Some of our churches' style of worship have also...
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This seminal work by one of the world’s most distinguished liturgical scholars fills an important gap in the history of the Church of Scotland and of Scottish worship. It offers an in-depth narrative of a neglected liturgical legacy and a perceptive analysis of the Church’s evolving patterns of worship from the middle of the 19th century to the present day. A magisterial study, it includes: • Inherited Patterns of Public Prayer • Liturgical Disruption: Dr Robert Lee Of Greyfriars, Edinburgh • The Church Service Society and The Euchologion • Nineteenth Century Public Worship Provisions, including open-air communions • Worship’s Companions: Hymns and Choirs • Worship and the High Church Parties • Culture, Ecclesiology and Architecture • Worship Between the Two World Wars • The Ecumenical and Liturgical Movements • Into Postmodernity and the Present
Katherine Campbell, Countess of Crawford (d. 1578) married James Ogilvy and they had five children. She married David Lindsay of Edzell and they had seven children.
In this fascinating and colorful book, researcher and performer John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914. Situating the rich and diverse puppet theatre in the context of entertainment culture, he explores both the aesthetics of these dancing dolls and their sociocultural significance in their life and time. The history of marionette performances is interwoven with live-actor performances and with the entire gamut of annual fairs, portable and permanent theatres, music halls, magic lantern shows, waxworks, panoramas, and sideshows. McCormick has drawn upon advertisements in the Era, an entertainmen...
A fresh account of the remarkable rise of Dundee as a global industrial city - and the origins of its later demise. The background to jute, the product most closely associated with Dundee, is investigated in unprecedented depth. The role of flax and linen as foundations for the jute industry is emphasised. The book challenges many perceptions of Dundee. Linen was as important to Dundee before c.1850 as jute was afterwards; the significance of jute pre-1850 has often been exaggerated by historians. Traditionally Dundee's success was attributed to the production of cheap coarse cloth for sacks, bagging etc. Yet many firms manufactured high quality, admiralty grade canvas, and colourful rugs an...
The first detailed study of Scottish post-Reformation church interiors for fifty years.
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In this book excerpts from original records bring the people vividly to life as they react to war and famine and enjoy traditional tales and gala-days. When handworkers could no longer compete with mass production and tenant and cottar were ousted by land reorganisation they emigrated. Their descendants will recognise named ancestors in this intimately researched book.
While London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.