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Ian McIntyre's biography gives a careful analysis of Burn's songs and poetry and strips away the legend to explore what lies beneath. The figure that emerges is sharper, less idealized, perhaps more truly great, than in any previous biography.
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Ian McIntyre's biography, published to mark the bicentenary of Burns's death, strips away myth and legend and explores what lies beneath. It is based meticulously on documentary and archival sources, and uses only the first-hand testimony of those who knew the man. It sets Burns in his historical context, and paints both his emotional life and his political views in vivid colours. On public matters he had no difficulty in holding simultaneously two views that were contradictory. In his private life he could be effortlessly in love with several women at the same time, appallingly cruel one moment, wonderfully tender the next. McIntyre offers a more extensive evaluation of Burns's songs and poetry than most previous biographers. He stresses the importance and quality of the satirical verse, as well as the haunting love poems for which Scotland's 'bard' is best known. In an illuminating final chapter, he examines the extraordinary ramifications assumed after the death of the poet by the Burns legend, a fantastical 'afterlife' bearing little resemblance to biographical reality.
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A riveting look into the world of James Bond and his creator.
Here, Ian McIntyre traces Joshua Reynolds' journey from his humble origins as the seventh child of the Reverend Samuel Reynolds in Devon to the splendour and pomp of his funeral at St Paul's Cathedral in 1792. He examines in detail all aspects of his artistic and personal life, including his experimental history and fancy paintings, as well as his better-known work as a portrait painter. McIntyre also explains Reynolds' thinking about art history in the context of his life in 18th-century England. Reynolds was a central figure in the development of British art, and in this biography McIntyre explores fully the nature and extent of his contribution.
Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl G...
Radio Four has been described as 'the greatest broadcasting channel in the world', the 'heartbeat of the BBC', a cultural icon of Britishness, and the voice of Middle England. Defined by its rich mix, encompassing everything from journalism and drama to comedy, quizzes, and short-stories. Many of its programmes - such as Today ,The Archers, Woman's Hour, The Hitchhiker's Guide To the Galaxy, Gardeners' Question Time, and The Shipping Forecast - have been part of British life for decades. Others, less successful, have caused offence and prompted derision. Born as it was in the Swinging Sixties, Radio Four's central challenge has been to change with the times, while trying not to lose faith wi...
In the last five years, more child refugees have made perilous journeys into Europe than at any point since the Second World War. Once refugee children begin to establish their new lives, education becomes a priority. However, access to high-quality inclusive education can be challenging and is a social justice issue for schools, policymakers and for the research community. Underpinned by strong theoretical framings and based on socially just principles, this book provides a detailed exploration into this ethically charged, emotive and complex subject. Refugee Education offers an interdisciplinary perspective to critical debates and public discourse about the topic, contextualized by the voi...
'A truly original and enthralling novel...mischievous, sad, funny and truthful' Stephen Kelman, BOOKER-SHORTLISTED author of PIGEON ENGLISH 'Clever, poignant, beautiful ... peopled by a cast of brilliantly off-the-wall characters, and full of keen-eyed observations about life on a remote Scottish island - and, by extension, everywhere. A must-read' Laura Barnett, author of THE VERSIONS OF US WINNER OF THE EDINBURGH BOOK FESTIVAL FIRST BOOK AWARD, from the author also known as The Mull Historical Society. When Fingal McMillan rows out into the Atlantic never to return, his grandson Alexander is left with questions. What really happened to Alexander's mother? Was his grandfather trying to reach The Looming, a rock of local myth? And why have mysterious words appeared on the cliff by the bay? Alexander is not the only local boy whose origins are clouded by mystery - a mystery which stretches back to Victorian times, when a pioneering travel writer alighted on Scottish shores. But will the island give up its secrets? Or will Ivor Punch - the man who links the past to the present - take them to the grave?