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The Souls of Venice
How is a life defined by a city, and a city by the lives within? Where do an individual and a culture coincide? Perhaps more than any city in the world, Venice inspires these questions and suggests intriguing answers. This book focuses on people who have been shaped by Venice and have shaped Venice in their turn. The author considers them in five groups: the "mutilated culture heroes" (e.g., the eunuch Narses), who despite or because of some great sacrifice helped the city define itself and its mission; the "fugitives from splendor" (e.g., St. Pietro Orseolo or El Greco), so overwhelmed by beauty that they fled the city; the "prisoners of Venice"-the convicts, the cloistered, the mad; the "symbiotics," who lived in close communion with the city for long periods of time (e.g., Titian) and the "fugitives from self" (e.g., Igor Stravinsky), who have come from elsewhere seeking a new identity, and who ended up helping to create a new identity for the city itself. More than a collection of biographies, this richly textured and insightful work examines the roots of people's "Venice-ness" as well as the city's own humanity.
Migration Italy
In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has indeed become a destination for many people from poor or war-torn countries seeking a better life in a stable environment. Graziella Parati's Migration Italy examines immigration to Italy in the past twenty years, and explores the processes of cultural hybridization that have occurred. Working from a cultural studies viewpoint, Parati constructs a theoretical framework for discussing Italy as a country of immigration. She gives special attention to immigrant literature, positing that it functions as an act of res...
Reporting at the Southern Borders
Undocumented immigration across the Mediterranean and the US-Mexican border is one of the most contested transatlantic public and political issues, raising fundamental questions about national identity, security and multiculturalism—all in the glare of news media themselves undergoing dramatic transformations. This interdisciplinary, international volume fills a major gap in political science and communication literature on the role of news media in public debates over immigration by providing unique insider’s perspectives on journalistic practices and bringing them into dialogue with scholars and immigrant rights practitioners. After providing original comparative research by establishe...
Multiculturalism and the Politics of Guilt
Multiculturalism and the Politics of Guilt extends Paul Gottfried’s examination of Western managerial government’s growth in the last third of the twentieth century. Linking multiculturalism to a distinctive political and religious context, the book argues that welfare-state democracy, unlike bourgeois liberalism, has rejected the once conventional distinction between government and civil society. Gottfried argues that the West’s relentless celebrations of diversity have resulted in the downgrading of the once dominant Western culture. The moral rationale of government has become the consciousness-raising of a presumed majority population. While welfare states continue to provide entit...
Antonin Artaud’s Alternate Genealogies
Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography. In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud. His book will be much appreciated by theatre scholars, Artaud specialists, Freudians, Lacanians and both theorists and practitioners of life writing.
Global Islamophobia
The decade since 9/11 has seen a decline in liberal tolerance in the West as Muslims have endured increasing levels of repression. This book presents a series of case studies from Western Europe, Australia and North America demonstrating the transnational character of Islamophobia. The authors explore contemporary intercultural conflicts using the concept of moral panic, revitalised for the era of globalisation. Exploring various sites of conflict, Global Islamophobia considers the role played by 'moral entrepreneurs' in orchestrating popular xenophobia and in agitating for greater surveillance, policing and cultural regulation of those deemed a threat to the nation's security or imagined community. This timely collection examines the interpenetration of the global and the local in the West's cultural politics towards Islam, highlighting parallels in the responses of governments and in the worrying reversion to a politics of coercion and assimilation. As such, it will be of interest to scholars of sociology and politics with interests in race and ethnicity; citizenship and assimilation; political communication, securitisation and The War on Terror; and moral panics.
Film – An International Bibliography
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Signs of Song
Born around 1,000 years ago, most probably in Tuscany, Guido d’Arezzo is remembered as the father of modern musical notation. His musical contributions surpassed all former methods of writing music, which did not represent the exact notes to be sung or played. He developed a linear system of musical notation capable of indicating pitch with absolute precision. His innovations accompanied a cultural crisis fundamental to the growth of Western music. While still a boy, Guido entered the Benedictine monastery at Pomposa, on the Adriatic coast. He probably died in the hermitage of Fonte Avellana in about 1050. This book envisions his life in relation to ancient musical history, to plainchant, and to the glories and conflicts of medieval monasticism. In writing of Guido, the author reveals her love for Italy and her fascination with Gregorian chant and Catholic traditions. She says, “Few documents remain concerning Guido’s life. I had to create a framework around his existence, considering ancient musical traditions, plainchant, medieval monasticism, the Italian countryside, and the revolutionary importance of clear notation.”
