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The Souls of Venice
How is a life defined by a city, and a city by the lives within? Where do an individual and a culture coincide? Perhaps more than any city in the world, Venice inspires these questions and suggests intriguing answers. This book focuses on people who have been shaped by Venice and have shaped Venice in their turn. The author considers them in five groups: the "mutilated culture heroes" (e.g., the eunuch Narses), who despite or because of some great sacrifice helped the city define itself and its mission; the "fugitives from splendor" (e.g., St. Pietro Orseolo or El Greco), so overwhelmed by beauty that they fled the city; the "prisoners of Venice"-the convicts, the cloistered, the mad; the "symbiotics," who lived in close communion with the city for long periods of time (e.g., Titian) and the "fugitives from self" (e.g., Igor Stravinsky), who have come from elsewhere seeking a new identity, and who ended up helping to create a new identity for the city itself. More than a collection of biographies, this richly textured and insightful work examines the roots of people's "Venice-ness" as well as the city's own humanity.
Signs of Song
Born around 1,000 years ago, most probably in Tuscany, Guido d’Arezzo is remembered as the father of modern musical notation. His musical contributions surpassed all former methods of writing music, which did not represent the exact notes to be sung or played. He developed a linear system of musical notation capable of indicating pitch with absolute precision. His innovations accompanied a cultural crisis fundamental to the growth of Western music. While still a boy, Guido entered the Benedictine monastery at Pomposa, on the Adriatic coast. He probably died in the hermitage of Fonte Avellana in about 1050. This book envisions his life in relation to ancient musical history, to plainchant, and to the glories and conflicts of medieval monasticism. In writing of Guido, the author reveals her love for Italy and her fascination with Gregorian chant and Catholic traditions. She says, “Few documents remain concerning Guido’s life. I had to create a framework around his existence, considering ancient musical traditions, plainchant, medieval monasticism, the Italian countryside, and the revolutionary importance of clear notation.”
Venice
This richly textured work examines Venetians’ “Venice-ness” and the city’s humanity. A cultural history wide in scope and original in conception, it explores how people have been shaped by Venice and, in turn, have shaped the city. Meet culture heroes whose defects have helped Venice define its myth and fugitives from the city’s splendor, such as El Greco. Venice’s prisoners numbered cloistered women, the mad, and Jews of the Ghetto. People living in close, durable symbiosis with Venice included Titian, and those fugitives from self who sought wholeness in Venice included Stravinsky.
The Motives of Self-Sacrifice in Korean American Culture, Family, and Marriage
The concept of self-sacrifice is highly important to Korean Americans. With hierarchy of age, social status, and gender-defined roles taking primacy over equality and justice, self-sacrifice becomes instrumental in maintaining family and social relationships. Unfortunately, in family relationships, sacrifice has more to do with submission and endurance than it does with sacrificial service that is redemptive and mutually beneficial. When self-sacrifice carries hidden motives--coercive responsibility, obligation, shame, guilt, or one's reputation--that "self-sacrifice" is not self-giving, neither serving nor being of mutual benefit. In this context, it is important to explore the attitudes an...
Models of Charitable Care: Catholic Nuns and Children in their Care in Amsterdam, 1852-2002
Models of Charitable Care analyses the practice of Catholic nuns in Amsterdam in the 19th and 20th century. Attention is paid to the ambiguous ascetic spiritual discourse that underpinned their work: it encouraged charity as solidarity with strangers, but caused intense emotional distance too. Historiography is mainly manufactured by religious and lay academics who shared the congregational perspective and presented fairly positive evaluations. Criticism from within, however, is voiced by care leavers who grew up in homes ran by religious. Some are grateful, others bitter. The sisters were living models who combined an anti-worldly outlook with a practical concern for vulnerable creatures. Relating various theoretical interpretations, a typology of three models is developed with ‘agency’ as the differentiating criterion.
Island of the Mad
Following on the heels of her exciting and widely acclaimed A Monster's Notes, and with Sheck's characteristic brilliance of language, Island of the Mad follows the solitary, hunchbacked Ambrose A., as he sets out on a mysterious journey to Venice in search of a lost notebook he knows almost nothing about. Eventually he arrives in San Servolo, the Island of the Mad, in the Venetian Lagoon, only a few minutes' boat–ride from Venice. At the island's old, abandoned hospital which has been turned into a conference center, he discovers a mess of papers in a drawer, and among them the correspondence and notes of two of the island's former inhabitants—a woman with a rare genetic illness which causes the afflicted to gradually become unable to sleep until, increasingly hallucinatory and feverish, they essentially die of sleeplessness; and her friend, a man who experiences epileptic seizures. As the sleepless woman's eyesight fails, she wants only one thing—that her friend read to her from Dostoevsky's great novel, The Idiot, a book she loves but can no longer read herself. As Ambrose follows their strange tale, everything he has ever known or thought is called into question.
Gadflies in the Public Space
The concept of disobedient consciousness and the rebellious Socratic mind that grows out of this book is, above all, a product of Ramin Jahanbegloo’s life meetings with the two apparently contradictory worlds of philosophy and politics. More precisely, it is the result of approaching the public realm in terms of a philosophical quest for truth and justice. This restless quest for truth and justice has a history that continues to bear upon us, however much we choose to ignore it. We can think about the current situation of philosophy by exploring that history. The image of Socrates represents a mid-point between politics and philosophy; the Socratic mind, exemplified by the presence of the ...
Women in Mission
In matters of mission history, most major works that treat the full sweep of the church's missional self-understanding are less than helpful in understanding women's part of that narrative. Smith tries to redress the balance with a comprehensive history of mission that highlights the critical contributions of women, as well as the theological developments that influenced their role. --From publisher's description.
Calvinism and the Arts
It is often thought that the French Reformer John Calvin (1509-1564) had a negative attitude towards the arts, particularly visual art. However, in Calvinism and the Arts: A Re-assessment, Dr. Joby argues that in Calvin's writings and in the development of the Reformed tradition more generally, it is possible to discern a more positive attitude than has hitherto been recognized. He makes a start by examining exactly what type of visual art Calvin rejected and what type he affirmed. He goes on to consider how Calvin's epistemology and eschatology can be used to argue for the placing of certain types of art, notably histories and landscape paintings, within Reformed churches and then devotes s...
The Devil's Scourge
This is a complete English translation of a Renaissance exorcist's manual. It is a concise history of demonology and contains accounts of seven exorcisms as well as Menghi's manual. Paxia's commentary explains what the signs of demonic possession are and who are the most vulnerable. Paxia also looks at Menghi's life in detail, including how he exorcised people and what objects he used during the ceremony.
