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Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
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During the eighteenth century, a time of almost constant international warfare, European states had to borrow money to finance their military operations. Servicing public debt demanded the collection of more taxes in a newly efficient manner, resulting in the emergence of what scholars call European “tax states.” This book examines a different kind of state finance, based on voluntary donations rather than taxes. Relying on Spanish and Argentine archival research, the author analyzes the “gifts” (donativos) that residents of the Viceroyalty of Rio de la Plata, or colonial Argentina, gave to the Spanish Crown and the city council of Buenos Aires. She examines the cultural, political, constitutional, and legal practices associated with loans and donativos in comparison with the practices of other Atlantic states, emphasizing the quid pro quo offered by the crown in the form of appointments to office and other favors. Examining donors, donations, and expectations, she argues that the Spanish system achieved at the imperial level what the British empire and the French monarchy failed to accomplish.
Arrested for treason at 13, William Lamport of Wexford was a pirate general at 14, and at the age of 19 played a crucial role in the Battle of Nordinen. He achieved a place at the court of Philip IV of Spain, but fled following a scandalous affair. He was later charged with plotting a revolution in Mexico. This is his story.
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La novela alemana de mayor éxito desde El Perfume, traducida a más de 40 idiomas y con más de 6 millones de ejemplares vendidos en todo el mundo. Prólogo de Juan Gabriel Vásquez. «La medición del mundo, además de una suerte de picaresca desopilante, es una brillante reflexión sobre la ficción, el pasado y la manera como lo contamos: una reflexión, en fin, sobre lo que hacemos cuando inventamos ficción, en particular sobre el pasado». Juan Gabriel Vásquez Ciencia y literatura se dan la mano en esta novela inteligentemente entretejida en la que Daniel Kehlmann, uno de los autores más importantes de la literatura alemana contemporánea, resucita las fascinantes personalidades de ...
Vols. for 1912-45 include proceedings of the association's annual meeting.