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Contemporary Art Theory
Igor Zabel (1958–2005) was a Slovenian curator, writer, and cultural theorist. This important translation of his writings will enrich the international critical field through Zabel's extraordinary analytical and emphatic thinking and writing.As well as texts dealing with international issues, his writings can serve as a methodology model for research into Eastern European art practices, which often share common stand points and problems.The selected texts are divided into four chapters: East-West and Between (dialogue and perception of the Other in the context of the complex relations established after the fall of the Wall in 1989), Strategies and Spaces of Art (strategies of representation and theories of display, the role of the curator, and the new understanding of the white cube), Ad Personam (individual artists and art from Socialist Realism and conceptualism to postmodernism and contextual art, particularly in Slovenia and South-Eastern Europe), and Extras (selected columns on arts and culture).
Igor Zabel
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Continuing Dialogues
This package contains the following products: 9780781785891 Smeltzer Brunner and Suddarth's Textbook of Medical Surgical Nursing, North American Edition, Combined Volume, 12e 9781605478616 Videbeck Psychiatric-Mental Health Nursing, 5e 9780781793834 Taylor Fundamentals of Nursing, North American Edition, 7e 9781608316922 Stedman's Stedman's Medical Dictionary for the Health Professions, 7e 9781451119398 Lippincott's Nursing Concepts Online Access Code
Performative Monuments
This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
The Best Surprise is No Surprise
Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.
Brancusi
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